Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Session Overview |
| Date: Wednesday, 06/Nov/2024 | |
| 2:00pm - 6:00pm |
SMT Executive Board Meeting Location: City Terrace 5 Closed meeting. |
| Date: Thursday, 07/Nov/2024 | ||||
| 8:00am - 12:00pm |
SMT Executive Board Meeting Location: Acosta Closed meeting. |
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| 8:00am - 8:00pm |
Nursing Mothers' Room Location: Client Office 3 |
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| 8:30am - 6:30pm |
Registration Desk Location: Conference Center B |
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| 9:00am - 12:00pm |
Hitchhiker’s Guide to IMTE (Intergalactic Music Theory of Everything) Location: City Terrace 4 By invitation only. |
A Toolkit for Analyzing Late Sixteenth-Century Polyphony Location: City Terrace 6 By invitation only. |
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| 1:00pm - 2:00pm |
Conference Guides Meeting Location: Mathews |
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| 1:00pm - 6:30pm |
Exhibit Hall Location: Conference Center B |
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| 2:15pm - 3:15pm |
Tension and Humor in Music for Film Location: River Terrace 3 Chair: William Ayers, University of Central Florida Session will be livestreamed.
Cadentius Interruptus: Music as Cinematic Mood-Killer A Taxonomy of Humor in Film Music and Sound |
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| 2:15pm - 3:45pm |
Extending Transformational Analysis – New Approaches, New Visualizations, New Repertoires Location: City Terrace 7 Presentations of the Symposium Harmonic Contrasts in Recent Progressive Rock: A Hybrid Functional-Transformational Analysis of Mask Machine (2014) by Flying Colors Claves as Source of Rhythmic Transformational Material in Francisco Mignone’s Fourth Sonatina Animation as a Tool for Transformational Analysis of Jazz Improvisation |
Hypermeter and Phrase Rhythm Location: City Terrace 9 Chair: William O'Hara, Gettysburg College Controversial Hypermeters in Bach’s Prelude No. 1 in C Major, WTC I From Old-Time to “Hard Times”: Phrase Rhythm and Prosody in the Music of Tyler Childers “Ancient Voices”: A Hypermetrical and Orchestrational Analysis of the Theme Songs to Seasons of CBS’s Survivor |
Understanding Music Theory Through Labor, Law, and Technologies Location: City Terrace 12 Form Regimes in American Popular Music AI, Copyright Law, and Musical Modernism’s Authorial Collapse Understanding Music Copyright Through Legal Analysis and Music Theory |
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| 3:15pm - 4:00pm |
Coffee Break Location: Conference Center B Free beverages. |
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| 3:30pm - 5:30pm |
Just Two Cents on Tuning Location: River Terrace 3 Session will be livestreamed.
A Balanced Take on Just Intonation in Tonal Music: Towards an Elastic Tonal Pitch Space. 1,203 Cent Octaves and 175 Cent Fifths?: Interval Quality and Frequency Ratio in Berlin School Comparative Musicology Solfège Set Theory The Myth of Transpositional Equivalence |
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| 4:00pm - 5:30pm |
Listening Trans and Trans Listening: Approaches to Music Analysis Location: City Terrace 7 Presentations of the Symposium The Idol’s Iki: Breathing Life Into the Transfeminist Cyborg “Shake It Up and Make It Fizz”: Material, Bonding Play, and Dungeon Intimacies in SOPHIE’s “VYZEE” Listening-With/As a Sea Anemone: Rippling Time and Trans Intimacy in felicita’s “Sex With Anemone” |
Formal Frictions in Tonal Music Location: City Terrace 9 Chair: Nathan John Martin, University of Michigan The Romanticization of the Rounded Binary in Robert Schumann’s Music Lyric Forms as Drama: Integration of Formal Functions and Text Organization in Primo Ottocento Opera Form-Functional Fusion in Sergei Rachmaninoff’s Preludes and Etudes-tableaux |
Temporality in Action Location: City Terrace 12 Chair: Roger Mathew Grant, Wesleyan University Temporality, Tragedy, and Reversed Recapitulation in The Serial-Minimalist First Movement of Joe Hisaishi’s East Land Symphony Measuring Time in Morton Feldman's Late Music Turns En Manège: Balletic Strategies of Meter and Tempo in Tchaikovsky’s Closing Sections |
Navigating Sensitive Topics Location: River Terrace 2 Session will be livestreamed.
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| 5:30pm - 6:30pm |
Interest Group Fair Location: Conference Center B |
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| 5:45pm - 6:45pm |
SMT Student Social Climate Survey Report and Open Forum Location: River Terrace 2 While we primarily invite students to attend, all are welcomed. |
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| 6:30pm - 8:00pm |
Opening Reception Location: River Terrace 1 Cash bar, free hors d'oeuvres |
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| 7:00pm - 8:30pm |
Scholars for Social Responsibility Interest Group Meeting Location: City Terrace 9 |
Dance & Movement Interest Group Meeting Location: River Terrace 2 |
Disability & Music Interest Group Meeting Location: River Terrace 3 |
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| Date: Friday, 08/Nov/2024 | ||||
| 7:15am - 8:30am |
W. W. Norton Music Theory Focus Group Location: City Terrace 6 By invitation only. |
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| 7:15am - 8:45am |
Retired Members Coffee Hour Location: City Terrace 4 |
Student Breakfast Reception Location: River Terrace 1 Hosted by the SMT Professional Development Committee. |
Music Notation and Visualization Interest Group Meeting Location: River Terrace 2 |
Analysis of World Musics & Timbre and Orchestration Interest Groups Joint Meeting Location: River Terrace 3 |
| 8:00am - 9:30am |
Poster Session Location: St. Johns A Comparison of the Accuracy of Two Algorithms for Predicting the Behavior of ’Soul Dominants’ in the McGill Billboard Corpus Dispersed Harmony as a Means of Distinguishing Sacred Harp Hymn-Tune Subgenres Macroharmonic Embeddings for Analysis Two Views of Distance in Amy Beach’s “When Soul is Joined to Soul” Distances in voice-leading spaces: Functional chord mapping and abstraction Orchestration as an elucidating factor of harmonic function Rosalía’s Strategic and Expressive Use of the Andalusian Cadence Schema Ted Dunbar’s System of Tonal Convergence (1975) and the Speculative Tritone Substitution Rethinking Beethoven’s Late Style: A Multi-Parametrical Analysis in Op. 127/II, with an Emphasis on Hypermetrical Perspective Tone-Clock Theory and Jazz: Applying Chromatic Tonalities to Contemporary Jazz Analyzing Patrick Stump's "Soul Voice": Vocal Timbre as a Signifier of Style and Genre Images and Topics in the Soundtracks of the Squid Game Series Choose Your Own Adventure: Empowering Student Choice in Learning, Assessment, and Grading Pitch, Motive, and Non-Alignment in the Idiomatic Phrasing of Melodic Rap Verses Your Turn to Lead: Cultivating Student Leadership in Music Theory and Aural Skills Exploring Form in Popular Music with Timeline Share Great Escape: Escape Rooms as Pedagogical Experiences in Music Theory Diverse Experiences of Irregular Meters |
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| 8:00am - 8:00pm |
Nursing Mother's Room Location: Client Office 3 |
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| 8:30am - 6:30pm |
Exhibit Hall Location: Conference Center B |
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| 8:30am - 6:30pm |
Registration Desk Location: Conference Center B |
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| 9:00am - 10:30am |
Sonata Theory and Formal Strategies Location: City Terrace 9 Breakthrough’s Formal Critique: Reassessing Deformation and Modernism in the fin-de-siècle Symphony Compound S-Module Strategies in Emilie Mayer’s Solo Sonatas The (Romantic) Long Way Around: Retracted Tonal Areas and the ‘Deferred SK’ Exposition |
Theorizing East Asian Pop Location: City Terrace 12 Presentations of the Symposium Influencers and Idols: The Two Phrygians of J-pop Fiery Voices, Cool Sound: Four Vocal Types in J-pop K-pop’s Western Sound and Korean Musical Agency |
Opera, Musical Theatre, and Film Location: River Terrace 2 Chair: Tomoko Deguchi, Winthrop University Session will be livestreamed.
Markedness Correlations and the Constraints of Operatic Multimedia Musical Expressions of Urgency, Anger, and Buffoonery in Marc Blitzstein’s *The Cradle Will Rock* Between Continuity and Discontinuity: Expressive Transformations and Structure in the work of Max Steiner |
Proximate Spaces: Reading Through Text, Intertext, and Recomposition Location: River Terrace 3 Session will be livestreamed.
What Schubert Learned from Goethe Mazurkas Heard and Half-heard: On Intertextual Networks and (Re)composing From Them From Song to Concerto: Recomposition, Retrieval, and Closure in Amy Beach's Piano Concerto, op. 45 |
| 9:00am - 12:00pm |
Global Music Theory (As an Insurgent Practice) Location: City Terrace 6 By invitation only. |
Music Psychology and the Ideas of Ernst Kurth Location: City Terrace 8 By invitation only. |
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| 9:00am - 12:15pm |
Creating Spaces that Connect Community: A Workshop and Discussion Location: City Terrace 7 |
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| 10:30am - 10:45am |
Coffee Break Location: Conference Center B Free beverages. |
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| 10:45am - 12:15pm |
Form in Popular Music Location: City Terrace 9 Chair: Christine Emily Boone, University of North Carolina Asheville Democratized Form: Collage and Cohesion in the Music of Bon Iver Last Choruses Harmony and Formal Function in deadmau5 |
Gestural Languages: Phenomena, Sound, and Stage Location: City Terrace 12 Chair: Jennifer Iverson, University of Chicago Dance, Trance, and Glance: Unsuk Chin’s Chamber Recreation of Korean Shaman in Gougalon, Movement III, “The Grinning Fortune Teller with the False Teeth” WANG Amao’s One Person Stage (2021)— Synchronizing the Perceptual Metrical Grid and the Sounding Melody Interaction of Noise and Pitch in Live Electroacoustic Music: the Distinctive Approach of Jasna Veličković |
Representing East Asian Traditions in Composition, Past and Present Location: River Terrace 2 Chair: Yayoi Uno Everett, CUNY Hunter College and the Graduate Center Session will be livestreamed.
Musical Form and Development in Peking Opera Compared with Western Music Imagined Amateurism: Post-Tonal Gestures and Modernist Techniques in Chinese American Composers’ Depiction of Chinese Folk Music Fantasy and Formenlehre in Imperial Japan |
Timbral Inscriptions: Notation, Tuning, Meter Location: River Terrace 3 Session will be livestreamed.
Theorizing Notation: Darmstadt, 1959-1965 Restoring Carlos Chávez's Modernism Sofia Gubaidulina's Shadow Tuning and Post-Soviet Hauntology |
| Modeling Musical Analysis Location: St. Johns Presentations of the Symposium Prolongation in Turkish Music Malambo and Motive in The Second Movement of Ginastera’s Sonata para piano Harmonizing Uncertainty: Ambiguous Tonicizations in the Music of Summer Walker The Duality of Drums: Exploring Timpani’s Melodic and Percussive Potential in Rodis’s Colossus "That word in my Bible": Listening to the Louvin Brothers’ "Broad Minded” A Rhetorical Strategy to Subvert Artistic Suppression: A ‘March’ That is Not a ‘March’ in R. Nathaniel Dett’s The Ordering of Moses (1937) Yamada Kōsaku’s Inno Meiji: A Portrait of Modern Optimism Locating the ‘Sonata’ in Fanny Hensel’s Sonata o Fantasia Storytelling and Meter in clipping.’s "Story 2” Curious Words and Exaggerated Singing—Humor and Satire in Musicals Comparing the Choreomusical Styles of Marious Petipa and George Balanchine in the Berceuse of Harlequinade Texture and Timing in the Score-Stop The Restorative Obsession of Shostakovich’s Violin Concerto No. 2 Metrical Dissonance and Phrase Grouping in HWANG Yau-Tai’s Oblivion (遺忘) "A Blueprint for Dancers": the Fiery and Unforgettable Measures of Rosendo Mendizábal’s "El Enterriano” |
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| 12:30pm - 2:00pm |
Committee on Disability & Accessibility Brown Bag Lunch Location: City Terrace 4 Open to all attendees. |
Mathematics of Music Interest Group Meeting Location: City Terrace 7 |
Autographs and Archival Documents Interest Group Meeting Location: City Terrace 9 |
Music Cognition Interest Group Meeting Location: City Terrace 12 |
| Committee on Feminist Issues & Gender Equity Brown Bag Lunch Location: Mathews Open to all attendees. |
Russian Music Theory Interest Group Meeting Location: River Terrace 2 |
Improvisation & Music Theory Pedagogy Interest Groups Joint Meeting Location: River Terrace 3 |
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| 1:00pm - 3:00pm |
CV Review Location: City Terrace 6 Hosted by the SMT Professional Development Committee. |
CV Review Waiting Room Location: City Terrace 8 Hosted by the SMT Professional Development Committee. |
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| 2:15pm - 3:45pm |
Don’t Bore Us – Take it to the...Prechorus? Location: City Terrace 7 Chair: Drew Nobile, University of Oregon “Take it to the Bridge:” Exploring transitional sections in R&B “What’s in an OP?”: Narrative, KonoSuba, and the 3/4 Prechorus Enter the Prechorus: Producing Intensification in Two Recent Taylor Swift Songs |
Harmonic Perceptions: Analytical Styles in Chromatic Harmony Location: City Terrace 9 Chair: Scott Gleason, Oxford University Press Analyzing Vincent d’Indy’s Music with Order Spaces Sonic Experience: A Kurth Inspired Analysis The Psychoacoustics of Chromatic Tonality in Phenomenological and Retrospective Spaces: A Dialogue |
Bach to “Bach” Location: City Terrace 12 Chair: Karl Braunschweig, Wayne State University Choreographing Form, Formalizing Choreography: Formal Functions in Sam Weber’s “Bach” One More Time: Ritornello Rotations in J.S. Bach’s Concerto for Two Harpsichords in C major (BWV 1061), First Movement Rage Against the Machine: Narratives of Resistance and Struggle in “Widerstehe doch der Sünde,” BWV 54/i |
Reconceiving Texture: Style, Temporality, Expression, and Performance Location: River Terrace 3 Session will be livestreamed.
Presentations of the Symposium Analyzing Texture: Preliminaries Performing Textural Developing Variation: The Courante from Bach’s Partita No. 4 in D Major, BWV 828 Texture Analysis with Social Networks in Hank Levy’s Whiplash |
| 2:15pm - 5:30pm |
Has Music Theory Become More Diverse Since 2019? Location: River Terrace 2 Session will be livestreamed.
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| 4:00pm - 5:30pm |
Alternative Theatricalites in the Music of Kaija Saariaho Location: City Terrace 7 Presentations of the Symposium Theatricality, temporality and the listener in Kaija Saariaho’s Graal théâtre (1994) Staging Sound in Kaija Saariaho’s Study for Life (1980, rev. 2019) Hidden Theatricality in String Quartets by Kaija Saariaho |
Integrating Global and Popular Music into the Theory Curriculum with Adem Birson (NYU Steinhardt) & Tim Wilson (Auralia & Musition), Presented by Auralia & Musition Location: City Terrace 8 |
Expanding How Music Means Location: City Terrace 9 Chair: Brian Hyer, University of Wisconsin – Madison “The Feeling of Being”: Rethinking Musical Emotion and Affect through the Arab Concept of Ṭarab Learnedness as Type and Style in Haydn's Nelsonmesse Political Meaning of Compositional Technique, Viewed through a Peircean Lens: Three Case Studies from Fascist and Post-WWII Italy |
Punk, Reggaeton, Rap Location: City Terrace 12 Chair: Kyle Adams, Indiana Universtiy The Influence of Punk on Emo in the 21st Century "Sex Sells": A Decolonial Analysis of Purplewashing and Sexual Narrative in the Women of Reggaeton The Language of “Feel”: Understanding J Dilla’s “Perfectly Imperfect” Rhythm in Musicians’ Words |
| Jazz Theory, Music, and Improvisation Location: River Terrace 3 Chair: Joon Park, University of Illinois Chicago Session will be livestreamed.
Place and No-Place in Cecil Taylor’s “This Nearly Was Mine” Expressive Timing, Thematic Transformation, or Both? Onset Displacement and Ontology in Performances of Jazz Standard Melodies Beyond the Ballpark: Ambiguity and Flexibility in Improvised Organ Music for the Game Show "Beat the Clock" |
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| 4:00pm - 6:00pm |
Public Music Theory Poster Exhibit Location: 3rd Floor Skybridge Open to the public.
Probing minor scale pedagogy Adapting the Music Theory Curriculum: Tools, Strategies, and Challenges Two active-listening lessons: “What do you hear?” and the “Structural Harmony Listening Worksheet” What is the Current Relevance of this Composition? Inviting Our Students to Freely Discuss (even censored) Topics Community Engagement through Songwriting Does Music Theory Matter? Hands-On High School Music Theory via Movable Tile Boards Analyzing Listening as Inclusive Musical Analysis Rethinking Beethoven’s Late Style: A Multi-Parametrical Analysis in Op. 127/II, with an Emphasis on Hypermetrical Perspective Tone-Clock Theory and Jazz: Applying Chromatic Tonalities to Contemporary Jazz Analyzing Patrick Stump's "Soul Voice": Vocal Timbre as a Signifier of Style and Genre Images and Topics in the Soundtracks of the Squid Game Series Choose Your Own Adventure: Empowering Student Choice in Learning, Assessment, and Grading Pitch, Motive, and Non-Alignment in the Idiomatic Phrasing of Melodic Rap Verses Your Turn to Lead: Cultivating Student Leadership in Music Theory and Aural Skills Exploring Form in Popular Music with Timeline Share Great Escape: Escape Rooms as Pedagogical Experiences in Music Theory Diverse Experiences of Irregular Meters |
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| 5:30pm - 6:30pm |
Prospective Graduate Student Fair Location: Conference Center B |
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| 5:30pm - 7:30pm |
College Board Reception Location: Orlando |
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| 6:00pm - 8:00pm |
Florida State University Reception Location: Clearwater |
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| 7:00pm - 8:30pm |
History of Theory Interest Group Meeting Location: City Terrace 7 |
Hip-Hop and Rap Interest Group Meeting Location: River Terrace 2 |
Music and Philosophy Interest Group Meeting Location: River Terrace 3 |
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| 7:30pm - 9:30pm |
University of Oregon Reception Location: City Terrace 6 |
Eastman School of Music Alumni Reception Location: Daytona |
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| 9:00pm - 11:00pm |
University of Chicago Reception Location: Clearwater |
Northwestern University Reception Location: Orlando |
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| Date: Saturday, 09/Nov/2024 | |||||
| 7:15am - 8:45am |
SMT-V Editorial Board Meeting Location: City Terrace 4 Closed meeting. |
Interest Groups Breakfast Meeting Location: City Terrace 10 By invitation only. |
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| 8:00am - 10:00am |
SMT-Pod Drop-In Gathering Location: City Terrace 5 Open to all attendees. |
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| 8:00am - 8:00pm |
Nursing Mothers' Room Location: Client Office 3 |
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| 8:30am - 2:00pm |
Registration Desk Location: Conference Center B |
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| 8:30am - 6:30pm |
Exhibit Hall Location: Conference Center B |
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| 9:00am - 10:30am |
Theoretical Crossings: New Applications Location: City Terrace 9 Chair: Chris Stover, Griffith University Shostakovich, Lowered Modes, and SLIDE Tonal Gravity and Twelve-Tone Music: A Lydian Chromatic Concept Analysis of Anton Webern’s Piano Variations, op. 27/1 Unveiling Patterns: Schillinger and the Fibonacci Series in Compositional Design |
From Sync to Syncopation Location: City Terrace 12 Chair: Olivia Rose Lucas, Louisisana State University The Role of Continuous and Ambiguous Tempo Changes in Doom Metal’s Heavy Grooves Sticking Syncopations: Embodied Rhythm in Marching Percussion Not just syncopation: Rhythmic complexity is ... complex. |
Feminist Models of Analysis: Building Methodologies through Listening Location: River Terrace 2 Session will be livestreamed.
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Contrapuntal Novelties in the Long 18th Century Location: River Terrace 3 Chair: Danuta Mirka, Northwestern University Session will be livestreamed.
Corelli's Contrapuntal Prinner The Prinner as Transition(?) in Sonata-form Arias by Haydn and Mozart Non-Chord Tones from the Vienna Woods: Vernacular Classical Origins of the Melodic-Harmonic Divorce |
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| 9:00am - 12:15pm |
Intercultural Dialogue: Gesture, Time, and Symbolism in Music by Isang Yun, Toshio Hosokawa, and Charles Kwong Location: City Terrace 7 Presentations of the Symposium Music of Gestures: Expressions of Light and Shadow in Isang Yun’s Images (1968) Toshio Hosokawa’s Cosmology of Sounds: Poetics of Silence and Sound, Shadow and Light A Play of Light: Temporal Cycles and Intercultural Dialogue in Toshio Hosokawa’s Utsurohi Music as Growth: Tracing the Rhetorical Similarities in Yun, Hosokawa, and Kwong |
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| 10:30am - 10:45am |
Coffee Break Location: Conference Center B Free beverages. |
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| 10:45am - 11:45am |
Haydn’s Middles Location: City Terrace 12 Haydn’s Hinge Joints: Schemata and the Contrasting Middle in Symphonic Small Ternary and Minuet Forms Standing/Dancing/Pirouetting on the Dominant: Medial Caesurae and Galant Schemata in the Symphonies of Haydn, Mozart, and Beethoven Haydn's Exposition-like Developments |
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| 10:45am - 12:15pm |
Distinctive Modernisms: Scriabin, Xenakis, Euba Location: City Terrace 9 Chair: Jason Yust, Boston University Scriabin's Cycles: Octatonic Keys, Sonata Form, and Harmonic Alchemy in the Works 1911-12 Symmetrical Structures in Xenakis’s Okho: At the Intersection of Mathematics and Literature Akin Euba and the Role of Pitch Structures in "African Pianism" |
Architecture of Aggression: Form and Process in Heavy Metal Location: River Terrace 2 Chair: Brad Thomas Osborn, University of Kansas Session will be livestreamed.
Terminally Anti-Climactic Form in Post-1990s Progressive Metal Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs What is a riff? A Structural Definition and its Analytical Consequences for Process and Form in Heavy Metal |
Prosody and Text Setting in Popular Music Location: River Terrace 3 Chair: Stephen Eugene Rodgers, University of Oregon Session will be livestreamed.
"All the Lonely Starbucks Lovers": Prosodic Dissonance in Taylor Swift's Discography Vocality and Plurality in Sign Language Cover Songs The Development and Artistry of Text-Setting in Japanese Rock: Happy End and the Great Japanese Rock Debate (1970) |
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| 12:30pm - 2:00pm |
Music Informatics Interest Group Meeting Location: City Terrace 7 |
Music and Psychoanalysis Interest Group Meeting Location: City Terrace 9 |
Work and Family Interest Group Meeting Location: City Terrace 12 |
Popular Music Interest Group Meeting Location: River Terrace 2 |
Jazz Interest Group Meeting Location: River Terrace 3 |
| 2:15pm - 3:00pm |
SMT Business Meeting Location: Conference Center A Meeting will be livestreamed. |
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| 3:00pm - 3:45pm |
SMT Awards Ceremony Location: Conference Center A Ceremony will be livestreamed. |
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| 4:00pm - 5:00pm |
SMT Keynote: What’s Left of Music Theory? Location: Conference Center A Vijay Iyer, Harvard University
Session will be livestreamed. |
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| 5:30pm - 7:00pm |
A Concert of Compositions by SMT Members, performed by SMT Members Location: Clearwater PERFORMED BY:
Cynthia Folio (flute), Nathan Lam (clarinet), Paul Miller (violin), Evan Jones (cello), Robert Wells (piano)
Presentations of the Symposium Swells (for solo piano) In Silence (for clarinet, violin, cello, and piano) Laerciando (for flute, clarinet, and piano) If there is a dead thing still rotting (for flute and recited text alone) Pancanonic Fugue in A Minor (for flute, clarinet, violin, and cello) Being (for cello and piano) The Spinning Wheel (for flute, clarinet, violin, cello, and piano) |
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| 7:00pm - 8:30pm |
Queer Resource Interest Group Meeting Location: City Terrace 7 |
Film and Multimedia Interest Group Meeting Location: City Terrace 9 |
Musical Theater Interest Group Meeting Location: City Terrace 12 |
Global Interculturalism & Musical Peripheries and Post-1945 Music Analysis Interest Groups Joint Meeting Location: River Terrace 2 |
Performance and Analysis Interest Group Meeting Location: River Terrace 3 |
| 7:30pm - 9:00pm |
Awards Reception Location: St. Johns |
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| 9:00pm - 11:00pm |
University of Texas at Austin Alumni Reception Location: City Terrace 4 |
Indiana University Jacobs School of Music Networking Reception Location: City Terrace 5 |
McGill University Reception Location: City Terrace 6 |
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| 9:30pm - 11:30pm |
Yale Alumni Reception & Party Location: City Terrace 8 Yale Alumni Reception (9:30-10:30 PM) open to current Yale faculty & students and Yale alumni. Yale Party (10:30-11:30 PM) open to all. |
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| Date: Sunday, 10/Nov/2024 | |||
| 8:00am - 1:00pm |
Nursing Mothers' Room Location: Client Office 3 |
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| 9:00am - 10:30am |
Analyzing Style and Blues Location: City Terrace 7 Chair: Clifton Boyd, New York University Worrying the Line and Migration Tonality in Dorothy Rudd Moore’s Weary Blues The Embodied Folk Guitar of Elizabeth Cotten Hearing Holiday: Analyzing Billie Holiday’s Singing |
Dance and/as Music Analysis Location: River Terrace 3 Chair: Kara Yoo Leaman, Mannes School of Music Session will be livestreamed.
Rethinking Musical Metaphors Through Dance Tap Dance Choreographers as Composer-Analysts: Formal Interactions between Tap Dance and Post-Millennial Pop Music A New Multidimensional Method for the Musical Analysis of Choreographed Scenes |
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| 9:00am - 11:00am |
Tragedy, Liturgy, and Myth Across Cultures and Genres Location: City Terrace 9 Chair: Christopher Segall, University of Cincinnati Unashamedly Boastful: Shai Linne’s Flow and Lyrical Reformed Theology Mediating a Sacred Imperial Chinese Genre: Musical Embodiment of Human-Divine Interactions through Timbre, Form, and Melodic Play in Guqin “Chang” (畅) repertory Listening to Acculturation in Chazzan David Kusevitsky’s Cantorial Recitative “L’eil Boruch” "Feel the Emptiness": Micro-Schemata in the Music of Henryk Mikołaj Górecki |
Applying Sets and Cycles Location: City Terrace 12 Higher-Order Euclidean Sets A Generalized Model of Wechsel Cycles A World of Pure Imagination: Tiling the Tonnetz with an I-shaped Tile Plotting Medieval Polyphony: An Enchiriadis Tonnetz |
Bodies, Instruments, and Historical Epistemologies Location: River Terrace 2 Chair: Thomas Christensen, University of Chicago Session will be livestreamed.
Rameau’s Finger Mechanics: Thoroughbass Pedagogy, The Fundamental Bass, and Enlightenment Epistemology Alfabeto, punto, and diapason: the guitar as an instrument of music theory in seventeenth-century Iberia Final Sonority Voicing in Renaissance Vocal Polyphony Mathematical and Practical Aspects of Zhu Zaiyu’s Twelve-Tone Equal Temperament: Perspectives from the Sinophone Literature |
| 10:45am - 12:15pm |
Popular, Internet, and Video Culture Location: City Terrace 7 Chair: Julianne Grasso, Florida State University Musical Effects of Pitch Correction in the Speech Sounds of Two Video Game Characters Player Progress and Musical Affect in Early Video Game Music The Mashups of Mouth Moods: Parody and Intertextuality in Neil Cicierega’s Third Album |
The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Location: River Terrace 3 Session will be livestreamed.
Presentations of the Symposium Demonstration Transcription Analysis |
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| 11:15am - 12:15pm |
Two Perspectives on Lili Boulanger Location: City Terrace 9 Chair: Laurel Parsons, University of British Columbia Flat Scale Degree Seven and Lost Love in Lili Boulanger’s Clairières dans le ciel Fauréan Influences in Lili Boulanger's Clairières dans le ciel |
Popular Music, Participation, and Politics Location: City Terrace 12 Chair: Scott Murphy, University of Kansas Timbre as a (de)constructing force in 1000 gecs Hermeneutics of the Musical Police State: Process and Collectivism in David Lang's I fought the law |
Musical Processes and Empirical Methodologies Location: River Terrace 2 Chair: Trevor de Clercq, Middle Tennessee State University Session will be livestreamed.
The Contingency of Music Cognition Bright Beats: Timbre’s Influence on Rhythm and Meter |
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