Index of Authors
A list of all persons who contribute to the sessions of this conference. Please select a letter below to list all persons with the corresponding last name. Select the presentation in the right-hand column to access session and presentation details.
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List Options: Authors and Sessions · Authors and Presentations
| Author(s) | Organization(s) | Session |
| Ai, Stephen Tian-You | Harvard University | Listening Trans and Trans Listening: Approaches to Music Analysis Presenter |
| Aji, Issa | University of Texas at Austin | Expanding How Music Means |
| Argentino, Joe | Memorial University of Newfoundland, Canada | Theoretical Crossings: New Applications |
| Bakker, Sara | Utah State University, United States of America | Public Music Theory Poster Exhibit |
| Bar-Yoshafat, Yonatan | The Open University of Israel, Israel | Sonata Theory and Formal Strategies |
| Bauer, Amy | University of California, Irvine | Alternative Theatricalites in the Music of Kaija Saariaho Chair Alternative Theatricalites in the Music of Kaija Saariaho Presenter |
| Belcher, Owen | University of Missouri-Kansas City | Bach to “Bach” |
| Bilidas, Stefanie | University of Texas at Austin | Dance and/as Music Analysis |
| Bilik, Matthew | The Ohio State University | Two Perspectives on Lili Boulanger |
| Birson, Adem Merter | New York University | Modeling Musical Analysis Presenter |
| Boss, Jack | University of Oregon, United States of America | Distinctive Modernisms: Scriabin, Xenakis, Euba |
| Boyd, Clifton | New York University | Has Music Theory Become More Diverse Since 2019? Presenter |
| Bradford, Wesley J. | University of Louisiana at Lafayette, United States of America | Public Music Theory Poster Exhibit |
| Braunschweig, Karl | Wayne State University, United States of America | Contrapuntal Novelties in the Long 18th Century |
| Brown, Jenine | Peabody Institute of the Johns Hopkins University, United States of America | Public Music Theory Poster Exhibit |
| Buchler, Michael | Florida State University | Navigating Sensitive Topics Discussant Opera, Musical Theatre, and Film Presenter Public Music Theory Poster Exhibit Presenter |
| Burnam, Henry | Yale University | Just Two Cents on Tuning |
| Cain, Graciela | Duval Folx | Creating Spaces that Connect Community: A Workshop and Discussion Discussant |
| Callahan, Michael | Michigan State University | Committee on Disability & Accessibility Session |
| Callender, Cliff | Florida State University | A Concert of Compositions by SMT Members, performed by SMT Members Chair |
| Cannon-Brown, Lee Michael | Harvard University, United States of America | Timbral Inscriptions: Notation, Tuning, Meter |
| Carter-Enyi, Aaron | Morehouse College | The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Discussant The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Presenter |
| Carter-Enyi, Quintina | University of Georgia | The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Chair |
| Castro, David | St. Olaf College | Modeling Musical Analysis Presenter |
| Chang, Joseph Tovell | McGIll University, Montreal, Canada; CIRMMT Student Member; ACTOR Student Member; HEVGA Student Member. | Distinctive Modernisms: Scriabin, Xenakis, Euba |
| Chapkanov, Bozhidar | Independent scholar | Extending Transformational Analysis – New Approaches, New Visualizations, New Repertoires Discussant Extending Transformational Analysis – New Approaches, New Visualizations, New Repertoires Presenter |
| Chau, Dustin | University of Chicago, United States of America | Poster Session |
| Chen, Sitong {Bella} | University of Oregon, United States of America | Representing East Asian Traditions in Composition, Past and Present |
| Cheung, Hon Ki | University of Texas at Austin, United States of America | Representing East Asian Traditions in Composition, Past and Present |
| Childs, Adrian | University of Georgia | Navigating Sensitive Topics Discussant |
| Chiu, Matt | Baldwin Wallace University, United States of America | Poster Session |
| Choi, Hang Ki | CUNY Graduate Center | Has Music Theory Become More Diverse Since 2019? |
| Clarkson, Timothy | University of Sydney | Extending Transformational Analysis – New Approaches, New Visualizations, New Repertoires Discussant Extending Transformational Analysis – New Approaches, New Visualizations, New Repertoires Presenter |
| Cobb, Nathan | University of California, Santa Barbara | Alternative Theatricalites in the Music of Kaija Saariaho Presenter |
| Colletti, Carla | Webster University, United States of America | Feminist Models of Analysis: Building Methodologies through Listening Chair |
| Console, Lena | Baldwin Wallace University, United States of America | Poster Session Public Music Theory Poster Exhibit |
| Coury-Hall, M. A. | New York City, United States of America | Applying Sets and Cycles |
| Crawford, Eric | Claflin University | The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Discussant The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Presenter |
| Cubero, Diego | University of North Texas, United States of America | Formal Frictions in Tonal Music |
| De Souza, Jonathan | University of Western Ontario | Reconceiving Texture: Style, Temporality, Expression, and Performance Chair Reconceiving Texture: Style, Temporality, Expression, and Performance Discussant Reconceiving Texture: Style, Temporality, Expression, and Performance Presenter |
| Dekovich, Michael | Loyola Marymount University, United States of America | Understanding Music Theory Through Labor, Law, and Technologies |
| Desinord, Richard | Michigan State University | Modeling Musical Analysis Presenter |
| Devaney, Johanna | Brooklyn College and CUNY Graduate Center | Dance and/as Music Analysis |
| Drehoff Jr., Richard | Peabody Conservatory of Johns Hopkins University | A Concert of Compositions by SMT Members, performed by SMT Members Presenter |
| Duinker, Ben | McGill University, Canada | Bodies, Instruments, and Historical Epistemologies |
| Easley, Dave | Oklahoma City University | Committee on Disability & Accessibility Session Chair |
| Echevarria, Rafael | Durham University, United Kingdom | Sonata Theory and Formal Strategies |
| Elkins, Alan | Cleveland Institute of Music, United States of America | Popular, Internet, and Video Culture |
| Endrinal, Christopher | Florida Gulf Coast University | Navigating Sensitive Topics Discussant Has Music Theory Become More Diverse Since 2019? Chair |
| Eng, Clare | Belmont University | Feminist Models of Analysis: Building Methodologies through Listening Presenter |
| Everett, Yayoi Uno | CUNY Hunter College/Graduate Center; CUNY Graduate Center; CUNY Hunter College and the Graduate Center, United States of America | Intercultural Dialogue: Gesture, Time, and Symbolism in Music by Isang Yun, Toshio Hosokawa, and Charles Kwong Presenter Has Music Theory Become More Diverse Since 2019? Presenter Intercultural Dialogue: Gesture, Time, and Symbolism in Music by Isang Yun, Toshio Hosokawa, and Charles Kwong Chair |
| Ewell, Philip | CUNY Graduate Center | Has Music Theory Become More Diverse Since 2019? Presenter |
| Falotico, Sam | Eastman School of Music | Don’t Bore Us – Take it to the...Prechorus? |
| Favali, Federico | Conservatorio A. VIvaldi Alessandria | Alternative Theatricalites in the Music of Kaija Saariaho Presenter |
| Fink, Stanley Ralph | Drake University, United States of America | Poster Session |
| Frymoyer, Johanna | University of Notre Dame | Reconceiving Texture: Style, Temporality, Expression, and Performance Chair Reconceiving Texture: Style, Temporality, Expression, and Performance Discussant Reconceiving Texture: Style, Temporality, Expression, and Performance Presenter |
| Gades, Andrew | College of Idaho, United States of America | Public Music Theory Poster Exhibit |
| Gage, Christopher | University of Delaware, United States of America | Jazz Theory, Music, and Improvisation |
| Gain, Rachel | Yale University | Bach to “Bach” |
| Garza Jr., Jose Manuel | Texas State University | Modeling Musical Analysis Presenter |
| Gebert, Jan-Martin | Columbia University, United States of America | Just Two Cents on Tuning |
| Gillen, Maeve | Eastman School of Music, United States of America | Popular Music, Participation, and Politics |
| Goddard Loeffert, Kimberly | Virginia Tech | Modeling Musical Analysis Chair |
| Goldman, Andrew | Indiana University, United States of America | Musical Processes and Empirical Methodologies |
| Gopinath, Sumanth | University of Minnesota Twin Cities | Modeling Musical Analysis Presenter |
| Grunkemeyer, Joseph | Indiana University, United States of America | Poster Session Public Music Theory Poster Exhibit |
| Guerra, Stephen | University at Buffalo | A Concert of Compositions by SMT Members, performed by SMT Members Presenter |
| Guerrero, Devin | Texas Tech University, United States of America | Poster Session Public Music Theory Poster Exhibit |
| Guerrero, Jeannie Ma. | Independent Scholar | Modeling Musical Analysis Presenter |
| Guez, Jonathan | University of Houston, United States of America | Proximate Spaces: Reading Through Text, Intertext, and Recomposition |
| Hall, Michael | New York City | Mathematics of Music Interest Group Meeting Chair |
| Hatten, Robert | The University of Texas at Austin | Reconceiving Texture: Style, Temporality, Expression, and Performance Chair Reconceiving Texture: Style, Temporality, Expression, and Performance Discussant Reconceiving Texture: Style, Temporality, Expression, and Performance Presenter |
| Hayes, Isaac Otto | UC Irvine, United States of America | Timbral Inscriptions: Notation, Tuning, Meter |
| Heetderks, David James | University of North Texas | From Sync to Syncopation |
| Heinsen, David Alexander | The Ohio State University | Poster Session |
| Hosken, Fred | Butler University, United States of America | Punk, Reggaeton, Rap |
| Hottle, Rachel | McGill University, Canada | Analyzing Style and Blues |
| Hu, Ruixue | Eastman School of Music, University of Rochester, United States of America | Temporality in Action |
| Hunt, Graham G. | University of Texas at Arlington, United States of America | Contrapuntal Novelties in the Long 18th Century |
| Hutchinson, Kyle | Colgate University, United States of America | Harmonic Perceptions: Analytical Styles in Chromatic Harmony |
| Hynes-Tawa, Liam | Harvard University | Theorizing East Asian Pop Presenter Modeling Musical Analysis Presenter |
| Ilic, Ivana | Emory University | Gestural Languages: Phenomena, Sound, and Stage |
| Jenkins, J. Daniel | University of South Carolina | Navigating Sensitive Topics Discussant A Concert of Compositions by SMT Members, performed by SMT Members Presenter |
| Jenkins, J. Daniel | University of South Carolin, United States of America | Public Music Theory Poster Exhibit |
| Jones, Evan | Florida State University | Navigating Sensitive Topics Chair |
| Jordan, Brenton | Mcintosh County Shouters | The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Discussant The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Presenter |
| Keep, David Andrew | Hope College, United States of America | Proximate Spaces: Reading Through Text, Intertext, and Recomposition |
| Kelley, Robert T. | Lander University | Poster Session |
| Kim, Catrina S. | University of Massachusetts Amherst | Has Music Theory Become More Diverse Since 2019? Presenter Modeling Musical Analysis Presenter |
| Kozhevnikova, Jane | University of Florida | A Concert of Compositions by SMT Members, performed by SMT Members Presenter |
| Krell, Ryan Peter | CCM - University of Cincinnati, United States of America | Formal Frictions in Tonal Music |
| Kulothparan, Hanisha | Eastman School of Music | Has Music Theory Become More Diverse Since 2019? Presenter Modeling Musical Analysis Presenter |
| Lam, Nathan | Eastman School of Music | Just Two Cents on Tuning |
| Lau, Wing | University of Illinois Chicago | Modeling Musical Analysis Presenter |
| Lavacek, Justin | University of North Texas | Applying Sets and Cycles Presenter |
| Lawrence, John | University of Chicago | Contrapuntal Novelties in the Long 18th Century |
| Lee, Gui Hwan | James Madison University, United States of America | Gestural Languages: Phenomena, Sound, and Stage |
| Lee, Jason Yin Hei | McGill University | Bodies, Instruments, and Historical Epistemologies |
| Lee, Ji Yeon | University of Houston | Navigating Sensitive Topics Discussant |
| Lee, Jung-min | The Juilliard School | Intercultural Dialogue: Gesture, Time, and Symbolism in Music by Isang Yun, Toshio Hosokawa, and Charles Kwong Presenter |
| Lee, Lydia | University of Oregon, United States of America | Poster Session Public Music Theory Poster Exhibit |
| Lee, Yeonju | Peabody Institute of the Johns Hopkins University, United States of America | Public Music Theory Poster Exhibit |
| Lehman, Frank | Tufts University, United States of America | Tension and Humor in Music for Film |
| Lett, Stephen | University of Oklahoma | Creating Spaces that Connect Community: A Workshop and Discussion Chair |
| Li, Wanyi | University of Manchester, UK | Poster Session Presenter Public Music Theory Poster Exhibit |
| Lindhorst, Jonathan Jurgen | Schulich School of Music, McGill University, Canada | Poster Session Public Music Theory Poster Exhibit |
| Long, Megan | Oberlin College | Just Two Cents on Tuning |
| Lookenbill, Zachary | University of Arkansas | From Sync to Syncopation |
| Lopez, Gerardo | University of North Carolina at Greensboro | Has Music Theory Become More Diverse Since 2019? Presenter Modeling Musical Analysis Presenter |
| Losada, C. Catherine | College-Conservatory of Music- University of Cincinnati, United States of America | Opera, Musical Theatre, and Film |
| Lotson, Griffin | Gullah Geechee Cultural Heritage Corridor Commission and Gullah Geechee Ring Shouters | The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Discussant |
| Louden, Sarah | New York University Steinhardt | Committee on Disability & Accessibility Session Presenter |
| Lumsden, Rachel | Florida State University, United States of America | Has Music Theory Become More Diverse Since 2019? Chair Navigating Sensitive Topics Discussant |
| Luong, Vivian | University of Oklahoma | Creating Spaces that Connect Community: A Workshop and Discussion Chair Listening Trans and Trans Listening: Approaches to Music Analysis Chair |
| Lussier, Kelsey Lynne | McGill University, Canada | Poster Session |
| Lyons, Megan | Furman University | Poster Session Public Music Theory Poster Exhibit |
| Ma, Yiqing Mitty | University of Michigan | Theorizing East Asian Pop Presenter |
| Malawey, Victoria | Macalester College | A Concert of Compositions by SMT Members, performed by SMT Members Presenter |
| Maler, Anabel | University of British Columbia | Prosody and Text Setting in Popular Music Presenter |
| Malilay White, Andrew | University of Texas at Austin, United States of America | Temporality in Action |
| Manabe, Noriko | Indiana University, United States of America | Prosody and Text Setting in Popular Music Presenter |
| Martschenko, Evan David | Eastman School of Music, Rochester NY | Tragedy, Liturgy, and Myth Across Cultures and Genres |
| Marvin, Elizabeth | Eastman School of Music | Has Music Theory Become More Diverse Since 2019? Presenter |
| Maxile, Horace | Baylor University | Navigating Sensitive Topics Discussant |
| Mayr, Desirée Johanna | Bahia State University | Extending Transformational Analysis – New Approaches, New Visualizations, New Repertoires Discussant Extending Transformational Analysis – New Approaches, New Visualizations, New Repertoires Presenter |
| McAdams, Stephen | McGill, Canada | Musical Processes and Empirical Methodologies |
| McKinney, Timothy | Baylor University, United States of America | Haydn’s Middles |
| Medina-Gray, Elizabeth | Ithaca College | Popular, Internet, and Video Culture |
| Micchelli, Mark | University of Pittsburgh, United States of America | Theoretical Crossings: New Applications |
| Miller, Paul V. | Duquesne University, United States of America | Applying Sets and Cycles |
| Mitchell, Nathaniel | Wesleyan University | Opera, Musical Theatre, and Film |
| Moranis, Rebecca | CUNY Graduate Center | Dance and/as Music Analysis |
| Motazedian, Táhirih | Vassar College | Modeling Musical Analysis Presenter Tension and Humor in Music for Film |
| Murphy, Scott | University of Kansas | A Concert of Compositions by SMT Members, performed by SMT Members Presenter |
| Mutch, Caleb | Max Planck Institute for Empirical Aesthetics, Germany | Don’t Bore Us – Take it to the...Prechorus? |
| Myler, Derek J. | East Carolina University | Proximate Spaces: Reading Through Text, Intertext, and Recomposition |
| Neidhöfer, Christoph | McGill University | Expanding How Music Means |
| Ng, Samuel | University of Cincinnati, United States of America | Tragedy, Liturgy, and Myth Across Cultures and Genres |
| Nikitin, Christina Misaki | Harvard University | Listening Trans and Trans Listening: Approaches to Music Analysis Presenter |
| O'Hara, William | Gettysburg College, United States of America | Poster Session |
| Ohriner, Mitchell | University of Denver, United States of America | Tragedy, Liturgy, and Myth Across Cultures and Genres |
| Orosz, Jeremy | University of Memphis, United States of America | Don’t Bore Us – Take it to the...Prechorus? |
| Osborne, K. Tyler | University of Louisville | Sonata Theory and Formal Strategies |
| Painter, Noel | Stetson University | Navigating Sensitive Topics Discussant |
| Park, Joon | University of Illinois at Chicago | Intercultural Dialogue: Gesture, Time, and Symbolism in Music by Isang Yun, Toshio Hosokawa, and Charles Kwong Presenter |
| Pau, Andrew | Oberlin College & Conservatory | Two Perspectives on Lili Boulanger Presenter |
| Peck, Calvin | Université Paris-Saclay, France | Understanding Music Theory Through Labor, Law, and Technologies |
| Perez Tabares, Carlos | University of Michigan | Formal Frictions in Tonal Music |
| Peterson, John | James Madison University | Modeling Musical Analysis Chair |
| Posen, Thomas William | The College of Idaho, United States of America | Form in Popular Music |
| Praskurnin, Vlad | CUNY Graduate Center | Bach to “Bach” Presenter |
| Prosser, Simon | George Mason University | Theoretical Crossings: New Applications |
| Radcliffe, Gillian | Florida State University, United States of America | Understanding Music Theory Through Labor, Law, and Technologies |
| Redmond, Jared | Seoul National University School of Music, Korea, Republic of (South Korea) | Distinctive Modernisms: Scriabin, Xenakis, Euba |
| Reed, Jacob | University of Chicago, United States of America | Theorizing East Asian Pop Chair Theorizing East Asian Pop Presenter |
| Reuven, Ram | Norwegian Academy of Music, Norway | Hypermeter and Phrase Rhythm |
| Reymore, Lindsey | Arizona State University, United States of America | Popular Music, Participation, and Politics |
| Rings, Steven | University of Chicago | Extending Transformational Analysis – New Approaches, New Visualizations, New Repertoires Chair |
| Ripley, Angela | Texas A&M University-Kingsville | Poster Session Public Music Theory Poster Exhibit |
| Roberts, Micah Judson | University of Cincinnati College-Conservatory of Music | Hypermeter and Phrase Rhythm |
| Rodgers, Stephen | University of Oregon | Feminist Models of Analysis: Building Methodologies through Listening Presenter |
| Rodzianko, Alex | Eastman School of Music | Applying Sets and Cycles |
| Rosner, Joshua | McGill, Canada | Musical Processes and Empirical Methodologies |
| Rust, Douglas | University of Southern Mississippi | Feminist Models of Analysis: Building Methodologies through Listening Presenter |
| Saenz, Juan Patricio | Harvard University | Bodies, Instruments, and Historical Epistemologies |
| Schweitzer, Benjamin | CUNY the Graduate Center | Intercultural Dialogue: Gesture, Time, and Symbolism in Music by Isang Yun, Toshio Hosokawa, and Charles Kwong Presenter |
| Scotto, Ciro Gerard | Ohio University, United States of America | Architecture of Aggression: Form and Process in Heavy Metal |
| Segall, Christopher | University of Cincinnati | Timbral Inscriptions: Notation, Tuning, Meter |
| Seguin, Abi | Independent, United States of America | Punk, Reggaeton, Rap |
| Shafer England, Jennifer | Montana State University, United States of America | Poster Session Public Music Theory Poster Exhibit |
| Shannon, Alexander Michael | Indiana University, United States of America | Prosody and Text Setting in Popular Music |
| Shepherd, Lauren | University of Nebraska-Lincoln | Analyzing Style and Blues |
| Short, Rachel | Shenandoah Conservatory, Shenandoah University | Public Music Theory Poster Exhibit |
| Simonds, Zachary Robert | Florida State University, United States of America | Architecture of Aggression: Form and Process in Heavy Metal |
| Siu, Joseph Chi-Sing | University of Maryland Baltimore County | Modeling Musical Analysis Presenter |
| Slote, Audrey Jane | University of Chicago | Form in Popular Music |
| Smith, Eron | Oberlin College & Conservatory, United States of America | Form in Popular Music |
| Smith, Isaac William | Indiana University Jacobs School of Music, United States of America | Popular, Internet, and Video Culture |
| Smither, Sean Robert | The Juilliard School, Mannes School of Music, United States of America | Jazz Theory, Music, and Improvisation |
| Stephan-Robinson, Anna | West Liberty University, United States of America | Public Music Theory Poster Exhibit |
| Stewart, Dorian | University of Oregon | From Sync to Syncopation |
| Stolz, Nolan | University of South Carolina Upstate | Architecture of Aggression: Form and Process in Heavy Metal |
| Stover, Chris | Griffith University, Australia | Jazz Theory, Music, and Improvisation |
| Straus, Joseph | CUNY Graduate Center | Has Music Theory Become More Diverse Since 2019? Presenter |
| Sugawara, Rina | University of Chicago | Representing East Asian Traditions in Composition, Past and Present |
| Tai, Amy Ming Wai | Indiana University Bloomington, United States of America | Dance and/as Music Analysis |
| Tanovich, Evan | University of Toronto, Canada | Haydn’s Middles |
| Tarrant, Christopher James | Newcastle University, United Kingdom | Haydn’s Middles |
| Tasber, Kellin | Michigan State University | Committee on Disability & Accessibility Session Presenter |
| Tatar, Jeremy Piotr | McGill University, Canada | Temporality in Action |
| Temperley, David | Eastman School of Music, United States of America | A Concert of Compositions by SMT Members, performed by SMT Members Chair |
| Turci-Escobar, John | University of Texas at Austin | Modeling Musical Analysis Presenter |
| Tymoczko, Dmitri | Princeton University | A Concert of Compositions by SMT Members, performed by SMT Members Presenter |
| Utz, Christian | Kunstuniversität Graz | Intercultural Dialogue: Gesture, Time, and Symbolism in Music by Isang Yun, Toshio Hosokawa, and Charles Kwong Discussant |
| VanHandel, Leigh | University of British Columbia | From Sync to Syncopation |
| Venturino, Stephanie | Yale School of Music | Harmonic Perceptions: Analytical Styles in Chromatic Harmony |
| Vilches, Tori M | Indiana University, United States of America | Punk, Reggaeton, Rap |
| Voris, Wade Alan | Indiana University | Harmonic Perceptions: Analytical Styles in Chromatic Harmony |
| voulgaris, hallie | Yale University | Listening Trans and Trans Listening: Approaches to Music Analysis Presenter |
| Waddell, Samantha Harris | Indiana University | Hypermeter and Phrase Rhythm |
| Wagner, Michael | McGill, Canada | Musical Processes and Empirical Methodologies |
| Ware, Evan | California State Polytechnic University Pomona | Committee on Disability & Accessibility Session Presenter |
| Weinstein-Reiman, Michael | The University of Wisconsin - Madison, United States of America | Bodies, Instruments, and Historical Epistemologies |
| Wells, Robert Layton | University of Mary Washington, United States of America | Public Music Theory Poster Exhibit |
| White, Chris | University of Massachusetts Amherst | Just Two Cents on Tuning |
| Wilson, MingJun X | University of Michigan | Tragedy, Liturgy, and Myth Across Cultures and Genres |
| Wrigley, Robert Benjamin | The Graduate Center, City University of New York | Expanding How Music Means |
| Wu, Yi-Cheng Daniel | Soochow University, China, People's Republic of | Gestural Languages: Phenomena, Sound, and Stage |
| Yang, Eric | University of Toronto | Poster Session |
| Yoo Leaman, Kara | Mannes School of Music | Modeling Musical Analysis Presenter |
| Yorgason, Brent | Brigham Young University | Poster Session Public Music Theory Poster Exhibit |