Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Session Overview | |
| Location: River Terrace 2 |
| Date: Thursday, 07/Nov/2024 | |
| 2:15pm - 3:45pm |
Committee on Disability & Accessibility Session Location: River Terrace 2 Session will be livestreamed: https://tinyurl.com/3n2ka847
Presentations of the Symposium Toward Equitable Teaching Practices for Transgender and Genderqueer Aural Skills Students: Voice, Gender, and Belonging Accommodations’ End: Universal Design in Music Theory Assessment Integrating Inclusive Strategies for Students with Visual Impairments: Examples and Shared Resources from NYU’s Curriculum Project |
| 4:00pm - 5:30pm |
Navigating Sensitive Topics Location: River Terrace 2 |
| 5:45pm - 6:45pm |
SMT Student Social Climate Survey Report and Open Forum Location: River Terrace 2 While we primarily invite students to attend, all are welcomed. This meeting will be livestreamed: https://tinyurl.com/4xpy3xjf |
| 7:00pm - 8:30pm |
Dance & Movement Interest Group Meeting Location: River Terrace 2 |
| Date: Friday, 08/Nov/2024 | |
| 7:15am - 8:45am |
Music Notation and Visualization Interest Group Meeting Location: River Terrace 2 |
| 9:00am - 10:30am |
Opera, Musical Theatre, and Film Location: River Terrace 2 Chair: Tomoko Deguchi, Winthrop University Session will be livestreamed: https://tinyurl.com/2fashwbn
Markedness Correlations and the Constraints of Operatic Multimedia Musical Expressions of Urgency, Anger, and Buffoonery in Marc Blitzstein’s *The Cradle Will Rock* Between Continuity and Discontinuity: Expressive Transformations and Structure in the work of Max Steiner |
| 10:45am - 12:15pm |
Representing East Asian Traditions in Composition, Past and Present Location: River Terrace 2 Chair: Yayoi Uno Everett, CUNY Hunter College and the Graduate Center Session will be livestreamed: https://tinyurl.com/zr7zv2dr
Musical Form and Development in Peking Opera Compared with Western Music Imagined Amateurism: Post-Tonal Gestures and Modernist Techniques in Chinese American Composers’ Depiction of Chinese Folk Music Fantasy and Formenlehre in Imperial Japan |
| 12:30pm - 2:00pm |
Russian and Soviet Music Interest Group Meeting Location: River Terrace 2 |
| 2:15pm - 5:30pm |
Has Music Theory Become More Diverse Since 2019? Location: River Terrace 2 Session will be livestreamed: https://tinyurl.com/23nertwa
Presentations of the Symposium What is Music Theory? SMT Conference Presentations Then and Now Interculturality in the Global Age Music Theory Pedagogy: Beyond the Three Bs Five Years On and I’m Still Conflicted Diversity Solutions and Non-Solutions SMT Membership Demographics and the Leaky Pipeline Five Lessons from my First Five Years in Music Theory Personal Reflections on the Recent SMT Student Social Climate Survey |
| 7:00pm - 8:30pm |
Hip-Hop and Rap Interest Group Meeting Location: River Terrace 2 This meeting will be livestreamed: https://tinyurl.com/mrxyfuw8 |
| Date: Saturday, 09/Nov/2024 | |
| 9:00am - 10:30am |
Feminist Models of Analysis: Building Methodologies through Listening Location: River Terrace 2 Session will be livestreamed: https://tinyurl.com/2zz8a6us
Presentations of the Symposium Daphne Oram’s Pulse Persephone (1965) : A Ground-breaking and Unique Composition from the Early Years of Electronic Music Texture as Form in Lili Boulanger’s Clairières dans le ciel Hearing Culture Beyond Lyrics in Global Popular Music: A Case Study of Teresa Teng |
| 10:45am - 12:15pm |
Architecture of Aggression: Form and Process in Heavy Metal Location: River Terrace 2 Chair: Brad Osborn, University of Kansas Session will be livestreamed: https://tinyurl.com/2x8vxvyu
Terminally Anti-Climactic Form in Post-1990s Progressive Metal Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs What is a riff? A Structural Definition and its Analytical Consequences for Process and Form in Heavy Metal |
| 12:30pm - 2:00pm |
Popular Music Interest Group Meeting Location: River Terrace 2 |
| 7:00pm - 8:30pm |
Global Interculturalism & Musical Peripheries and Post-1945 Music Analysis Interest Groups Joint Meeting Location: River Terrace 2 This meeting will be livestreamed: https://tinyurl.com/yaydebv4 |
| Date: Sunday, 10/Nov/2024 | |
| 9:00am - 11:00am |
Bodies, Instruments, and Historical Epistemologies Location: River Terrace 2 Chair: Thomas Christensen, University of Chicago Session will be livestreamed: https://tinyurl.com/4e5r4k7h
Rameau’s Finger Mechanics: Thoroughbass Pedagogy, The Fundamental Bass, and Enlightenment Epistemology Alfabeto, punto, and diapason: the guitar as an instrument of music theory in seventeenth-century Iberia Final Sonority Voicing in Renaissance Vocal Polyphony Mathematical and Practical Aspects of Zhu Zaiyu’s Twelve-Tone Equal Temperament: Perspectives from the Sinophone Literature |
| 11:15am - 12:15pm |
Musical Processes and Empirical Methodologies Location: River Terrace 2 Chair: Trevor de Clercq, Middle Tennessee State University Session will be livestreamed: https://tinyurl.com/5dn6vkm2
The Contingency of Music Cognition Bright Beats: Timbre’s Influence on Rhythm and Meter |
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