Form Regimes in American Popular Music

Michael Dekovich

AI, Copyright Law, and Musical Modernism’s Authorial Collapse

Calvin Peck

Understanding Music Copyright Through Legal Analysis and Music Theory

Gillian Radcliffe

Temporality, Tragedy, and Reversed Recapitulation in The Serial-Minimalist First Movement of Joe Hisaishi’s East Land Symphony

Ruixue Hu

Measuring Time in Morton Feldman's Late Music

Jeremy Piotr Tatar

Turns En Manège: Balletic Strategies of Meter and Tempo in Tchaikovsky’s Closing Sections

Andrew Malilay White

Chair(s): Jacob Reed

Presentations of the Symposium

Influencers and Idols: The Two Phrygians of J-pop

Liam Hynes-Tawa

Fiery Voices, Cool Sound: Four Vocal Types in J-pop

Yiqing Mitty Ma

K-pop’s Western Sound and Korean Musical Agency

Jacob Reed

Dance, Trance, and Glance: Unsuk Chin’s Chamber Recreation of Korean Shaman in Gougalon, Movement III, “The Grinning Fortune Teller with the False Teeth”

Gui Hwan Lee

WANG Amao’s One Person Stage (2021)— Synchronizing the Perceptual Metrical Grid and the Sounding Melody

Yi-Cheng Daniel Wu

Interaction of Noise and Pitch in Live Electroacoustic Music: the Distinctive Approach of Jasna Veličković

Ivana Ilic

Choreographing Form, Formalizing Choreography: Formal Functions in Sam Weber’s “Bach”

Rachel Gain

Tripartite Period Organization in J.S. Bach’s Concerto for Two Harpsichords in C major (BWV 1061), First Movement

Vlad Praskurnin

Rage Against the Machine: Narratives of Resistance and Struggle in “Widerstehe doch der Sünde,” BWV 54/i

Owen Belcher

The Influence of Punk on Emo in the 21st Century

Abi Seguin

"Sex Sells": A Decolonial Analysis of Purplewashing and Sexual Narrative in the Women of Reggaeton

Tori M Vilches

The Language of “Feel”: Understanding J Dilla’s “Perfectly Imperfect” Rhythm in Musicians’ Words

Fred Hosken

The Role of Continuous and Ambiguous Tempo Changes in Doom Metal’s Heavy Grooves

David James Heetderks, Dorian Stewart

Sticking Syncopations: Embodied Rhythm in Marching Percussion

Zachary Lookenbill

Not just syncopation: Rhythmic complexity is ... complex.

Leigh VanHandel

Haydn’s Hinge Joints: Schemata and the Contrasting Middle in Symphonic Small Ternary and Minuet Forms

Timothy McKinney

Standing/Dancing/Pirouetting on the Dominant: Medial Caesurae and Galant Schemata in the Symphonies of Haydn, Mozart, and Beethoven

Christopher James Tarrant

Haydn's Exposition-like Developments

Evan Tanovich

Higher-Order Euclidean Sets

Paul V. Miller

A Generalized Model of Wechsel Cycles

Alex Rodzianko

A World of Pure Imagination: Tiling the Tonnetz with an I-shaped Tile

M. A. Coury-Hall

Plotting Medieval Polyphony: An Enchiriadis Tonnetz

Justin Lavacek

Timbre as a (de)constructing force in 1000 gecs

Lindsey Reymore

Hermeneutics of the Musical Police State: Process and Collectivism in David Lang's I fought the law

Maeve Gillen