Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Session Overview | |
| Location: City Terrace 9 |
| Date: Thursday, 07/Nov/2024 | |
| 2:15pm - 3:45pm |
Hypermeter and Phrase Rhythm Location: City Terrace 9 Chair: William O'Hara, Gettysburg College Controversial Hypermeters in Bach’s Prelude No. 1 in C Major, WTC I From Old-Time to “Hard Times”: Phrase Rhythm and Prosody in the Music of Tyler Childers “Ancient Voices”: A Hypermetrical and Orchestrational Analysis of the Theme Songs to Seasons of CBS’s Survivor |
| 4:00pm - 5:30pm |
Formal Frictions in Tonal Music Location: City Terrace 9 Chair: Nathan John Martin, University of Michigan The Romanticization of the Rounded Binary in Robert Schumann’s Music Lyric Forms as Drama: Integration of Formal Functions and Text Organization in Primo Ottocento Opera Form-Functional Fusion in Sergei Rachmaninoff’s Preludes and Etudes-tableaux |
| 7:00pm - 8:30pm |
Scholars for Social Responsibility Interest Group Meeting Location: City Terrace 9 |
| Date: Friday, 08/Nov/2024 | |
| 9:00am - 10:30am |
Sonata Theory and Formal Strategies Location: City Terrace 9 Chair: John Cuciurean, Western University Breakthrough’s Formal Critique: Reassessing Deformation and Modernism in the fin-de-siècle Symphony Compound S-Module Strategies in Emilie Mayer’s Solo Sonatas The (Romantic) Long Way Around: Retracted Tonal Areas and the ‘Deferred SK’ Exposition |
| 10:45am - 12:15pm |
Form in Popular Music Location: City Terrace 9 Chair: Christine Emily Boone, University of North Carolina Asheville Democratized Form: Collage and Cohesion in the Music of Bon Iver Last Choruses Harmony and Formal Function in deadmau5 |
| 12:30pm - 2:00pm |
Autographs and Archival Documents Interest Group Meeting Location: City Terrace 9 |
| 2:15pm - 3:45pm |
Harmonic Perceptions: Analytical Styles in Chromatic Harmony Location: City Terrace 9 Chair: Scott Gleason, Oxford University Press Analyzing Vincent d’Indy’s Music with Order Spaces Sonic Experience: A Kurth Inspired Analysis The Psychoacoustics of Chromatic Tonality in Phenomenological and Retrospective Spaces: A Dialogue |
| 4:00pm - 5:30pm |
Expanding How Music Means Location: City Terrace 9 Chair: Brian Hyer, University of Wisconsin – Madison “The Feeling of Being”: Rethinking Musical Emotion and Affect through the Arab Concept of Ṭarab Learnedness as Type and Style in Haydn's Nelsonmesse Political Meaning of Compositional Technique, Viewed through a Peircean Lens: Three Case Studies from Fascist and Post-WWII Italy |
| Date: Saturday, 09/Nov/2024 | |
| 9:00am - 10:30am |
Theoretical Crossings: New Applications Location: City Terrace 9 Chair: Chris Stover, Griffith University Shostakovich, Lowered Modes, and SLIDE Tonal Gravity and Twelve-Tone Music: A Lydian Chromatic Concept Analysis of Anton Webern’s Piano Variations, op. 27/1 Unveiling Patterns: Schillinger and the Fibonacci Series in Compositional Design |
| 10:45am - 12:15pm |
Distinctive Modernisms: Scriabin, Xenakis, Euba Location: City Terrace 9 Chair: Jason Yust, Boston University Scriabin's Cycles: Octatonic Keys, Sonata Form, and Harmonic Alchemy in the Works 1911-12 Symmetrical Structures in Xenakis’s Okho: At the Intersection of Mathematics and Literature Akin Euba and the Role of Pitch Structures in "African Pianism" |
| 12:30pm - 2:00pm |
Music and Psychoanalysis Interest Group Meeting Location: City Terrace 9 |
| 7:00pm - 8:30pm |
Film and Multimedia Interest Group Meeting Location: City Terrace 9 |
| Date: Sunday, 10/Nov/2024 | |
| 9:00am - 11:00am |
Tragedy, Liturgy, and Myth Across Cultures and Genres Location: City Terrace 9 Chair: Christopher Segall, University of Cincinnati Unashamedly Boastful: Shai Linne’s Flow and Lyrical Reformed Theology Mediating a Sacred Imperial Chinese Genre: Musical Embodiment of Human-Divine Interactions through Timbre, Form, and Melodic Play in Guqin “Chang” (畅) repertory Listening to Acculturation in Chazzan David Kusevitsky’s Cantorial Recitative “L’eil Boruch” "Feel the Emptiness": Micro-Schemata in the Music of Henryk Mikołaj Górecki |
| 11:15am - 12:15pm |
Two Perspectives on Lili Boulanger Location: City Terrace 9 Chair: Laurel Parsons, University of British Columbia Flat Scale Degree Seven and Lost Love in Lili Boulanger’s Clairières dans le ciel Fauréan Influences in Lili Boulanger's Clairières dans le ciel |
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