A Comparison of the Accuracy of Two Algorithms for Predicting the Behavior of ’Soul Dominants’ in the McGill Billboard Corpus

Stanley Ralph Fink

Dispersed Harmony as a Means of Distinguishing Sacred Harp Hymn-Tune Subgenres

Robert T. Kelley

Macroharmonic Embeddings for Analysis

Matt Chiu

Two Views of Distance in Amy Beach’s “When Soul is Joined to Soul”

William O'Hara

Distances in voice-leading spaces: Functional chord mapping and abstraction

Eric Yang

Orchestration as an elucidating factor of harmonic function

Kelsey Lynne Lussier

Rosalía’s Strategic and Expressive Use of the Andalusian Cadence Schema

David Alexander Heinsen

Ted Dunbar’s System of Tonal Convergence (1975) and the Speculative Tritone Substitution

Dustin Chau

Rethinking Beethoven’s Late Style: A Multi-Parametrical Analysis in Op. 127/II, with an Emphasis on Hypermetrical Perspective

Wanyi Li

Tone-Clock Theory and Jazz: Applying Chromatic Tonalities to Contemporary Jazz

Jonathan Jurgen Lindhorst

Analyzing Patrick Stump's "Soul Voice": Vocal Timbre as a Signifier of Style and Genre

Joseph Grunkemeyer

Images and Topics in the Soundtracks of the Squid Game Series

Lydia Lee

Choose Your Own Adventure: Empowering Student Choice in Learning, Assessment, and Grading

Jennifer Shafer England

Pitch, Motive, and Non-Alignment in the Idiomatic Phrasing of Melodic Rap Verses

Devin Guerrero

Your Turn to Lead: Cultivating Student Leadership in Music Theory and Aural Skills

Angela Ripley

Exploring Form in Popular Music with Timeline Share

Brent Yorgason

Great Escape: Escape Rooms as Pedagogical Experiences in Music Theory

Megan Lyons

Diverse Experiences of Irregular Meters

Lena Console

Chair(s): Kimberly Goddard Loeffert, John Peterson

Presentations of the Symposium

Prolongation in Turkish Music

Adem Merter Birson

Malambo and Motive in The Second Movement of Ginastera’s Sonata para piano

David Castro

Harmonizing Uncertainty: Ambiguous Tonicizations in the Music of Summer Walker

Richard Desinord

The Duality of Drums: Exploring Timpani’s Melodic and Percussive Potential in Rodis’s Colossus

Jose Manuel Garza Jr.

"That word in my Bible": Listening to the Louvin Brothers’ "Broad Minded”

Sumanth Gopinath

A Rhetorical Strategy to Subvert Artistic Suppression: A ‘March’ That is Not a ‘March’ in R. Nathaniel Dett’s The Ordering of Moses (1937)

Jeannie Ma. Guerrero

Yamada Kōsaku’s Inno Meiji: A Portrait of Modern Optimism

Liam Hynes-Tawa

Locating the ‘Sonata’ in Fanny Hensel’s Sonata o Fantasia

Catrina S. Kim

Storytelling and Meter in clipping.’s "Story 2”

Hanisha Kulothparan

Curious Words and Exaggerated Singing—Humor and Satire in Musicals

Wing Lau

Comparing the Choreomusical Styles of Marious Petipa and George Balanchine in the Berceuse of Harlequinade

Kara Yoo Leaman

Texture and Timing in the Score-Stop

Gerardo Lopez

The Restorative Obsession of Shostakovich’s Violin Concerto No. 2

Táhirih Motazedian

Metrical Dissonance and Phrase Grouping in HWANG Yau-Tai’s Oblivion (遺忘)

Joseph Chi-Sing Siu

"A Blueprint for Dancers": the Fiery and Unforgettable Measures of Rosendo Mendizábal’s "El Enterriano”

John Turci-Escobar