Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Session Overview |
| Date: Sunday, 10/Nov/2024 | |||
| 8:00am - 1:00pm |
Nursing Mothers' Room Location: Client Office 3 |
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| 9:00am - 10:00am |
Analyzing Style and Blues Location: City Terrace 7 Chair: Clifton Boyd, New York University Worrying the Line and Migration Tonality in Dorothy Rudd Moore’s Weary Blues The Embodied Folk Guitar of Elizabeth Cotten |
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| 9:00am - 10:30am |
Dance and/as Music Analysis Location: River Terrace 3 Chair: Kara Yoo Leaman, Mannes School of Music Session will be livestreamed: https://tinyurl.com/4pf6keu7
Rethinking Musical Metaphors Through Dance Tap Dance Choreographers as Composer-Analysts: Formal Interactions between Tap Dance and Post-Millennial Pop Music A New Multidimensional Method for the Musical Analysis of Choreographed Scenes |
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| 9:00am - 11:00am |
Tragedy, Liturgy, and Myth Across Cultures and Genres Location: City Terrace 9 Chair: Christopher Segall, University of Cincinnati Unashamedly Boastful: Shai Linne’s Flow and Lyrical Reformed Theology Mediating a Sacred Imperial Chinese Genre: Musical Embodiment of Human-Divine Interactions through Timbre, Form, and Melodic Play in Guqin “Chang” (畅) repertory Listening to Acculturation in Chazzan David Kusevitsky’s Cantorial Recitative “L’eil Boruch” "Feel the Emptiness": Micro-Schemata in the Music of Henryk Mikołaj Górecki |
Applying Sets and Cycles Location: City Terrace 12 Chair: Ian Quinn, Yale University Higher-Order Euclidean Sets A Generalized Model of Wechsel Cycles A World of Pure Imagination: Tiling the Tonnetz with an I-shaped Tile Plotting Medieval Polyphony: An Enchiriadis Tonnetz |
Bodies, Instruments, and Historical Epistemologies Location: River Terrace 2 Chair: Thomas Christensen, University of Chicago Session will be livestreamed: https://tinyurl.com/4e5r4k7h
Rameau’s Finger Mechanics: Thoroughbass Pedagogy, The Fundamental Bass, and Enlightenment Epistemology Alfabeto, punto, and diapason: the guitar as an instrument of music theory in seventeenth-century Iberia Final Sonority Voicing in Renaissance Vocal Polyphony Mathematical and Practical Aspects of Zhu Zaiyu’s Twelve-Tone Equal Temperament: Perspectives from the Sinophone Literature |
| 10:45am - 12:15pm |
Popular, Internet, and Video Culture Location: City Terrace 7 Chair: Julianne Grasso, Florida State University Musical Effects of Pitch Correction in the Speech Sounds of Two Video Game Characters Player Progress and Musical Affect in Early Video Game Music The Mashups of Mouth Moods: Parody and Intertextuality in Neil Cicierega’s Third Album |
The Gullah-Geechee Ring Shout: Integrating Performance, (Ethno)Musicology and Music Theory to Sustain an American Tradition Location: River Terrace 3 Presented with support from the Wallace Foundation.
Session will be livestreamed: https://tinyurl.com/435jwfp3 Presentations of the Symposium Demonstration Transcription Analysis |
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| 11:15am - 12:15pm |
Two Perspectives on Lili Boulanger Location: City Terrace 9 Chair: Laurel Parsons, University of British Columbia Flat Scale Degree Seven and Lost Love in Lili Boulanger’s Clairières dans le ciel Fauréan Influences in Lili Boulanger's Clairières dans le ciel |
Popular Music, Participation, and Politics Location: City Terrace 12 Chair: Scott Murphy, University of Kansas Timbre as a (de)constructing force in 1000 gecs Hermeneutics of the Musical Police State: Process and Collectivism in David Lang's I fought the law |
Musical Processes and Empirical Methodologies Location: River Terrace 2 Chair: Trevor de Clercq, Middle Tennessee State University Session will be livestreamed: https://tinyurl.com/5dn6vkm2
The Contingency of Music Cognition Bright Beats: Timbre’s Influence on Rhythm and Meter |
Contact and Legal Notice · Contact Address:  Privacy Statement · Conference: SMT 2024 |
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