Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Session Overview |
| Date: Saturday, 09/Nov/2024 | |||||
| 7:15am - 8:45am |
SMT-V Editorial Board Meeting Location: City Terrace 4 Closed meeting. |
Interest Groups Breakfast Meeting Location: St. Johns By invitation only. |
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| 8:00am - 10:00am |
SMT-Pod Drop-In Gathering Location: City Terrace 5 Open to all attendees. |
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| 8:00am - 8:00pm |
Nursing Mothers' Room Location: Client Office 3 |
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| 8:30am - 2:00pm |
Registration Desk Location: Conference Center B |
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| 8:30am - 6:30pm |
Exhibit Hall Location: Conference Center B |
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| 9:00am - 10:30am |
Theoretical Crossings: New Applications Location: City Terrace 9 Chair: Chris Stover, Griffith University Shostakovich, Lowered Modes, and SLIDE Tonal Gravity and Twelve-Tone Music: A Lydian Chromatic Concept Analysis of Anton Webern’s Piano Variations, op. 27/1 Unveiling Patterns: Schillinger and the Fibonacci Series in Compositional Design |
From Sync to Syncopation Location: City Terrace 12 Chair: Olivia Rose Lucas, Louisiana State University The Role of Continuous and Ambiguous Tempo Changes in Doom Metal’s Heavy Grooves Sticking Syncopations: Embodied Rhythm in Marching Percussion Not just syncopation: Rhythmic complexity is ... complex. |
Feminist Models of Analysis: Building Methodologies through Listening Location: River Terrace 2 Session will be livestreamed: https://tinyurl.com/2zz8a6us
Presentations of the Symposium Daphne Oram’s Pulse Persephone (1965) : A Ground-breaking and Unique Composition from the Early Years of Electronic Music Texture as Form in Lili Boulanger’s Clairières dans le ciel Hearing Culture Beyond Lyrics in Global Popular Music: A Case Study of Teresa Teng |
Contrapuntal Novelties in the Long 18th Century Location: River Terrace 3 Chair: Danuta Mirka, Northwestern University Session will be livestreamed: https://tinyurl.com/3kwmx5se
Corelli's Contrapuntal Prinner The Prinner as Transition(?) in Sonata-form Arias by Haydn and Mozart Non-Chord Tones from the Vienna Woods: Vernacular Classical Origins of the Melodic-Harmonic Divorce |
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| 9:00am - 12:15pm |
Intercultural Dialogue: Gesture, Time, and Symbolism in Music by Isang Yun, Toshio Hosokawa, and Charles Kwong Location: City Terrace 7 Presentations of the Symposium Music of Gestures: Expressions of Light and Shadow in Isang Yun’s Images (1968) Toshio Hosokawa’s Cosmology of Sounds: Poetics of Silence and Sound, Shadow and Light A Play of Light: Temporal Cycles and Intercultural Dialogue in Toshio Hosokawa’s Utsurohi Music as Growth: Tracing the Rhetorical Similarities in Yun, Hosokawa, and Kwong |
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| 10:30am - 10:45am |
Coffee Break Location: Conference Center B Free beverages. |
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| 10:45am - 12:15pm |
Distinctive Modernisms: Scriabin, Xenakis, Euba Location: City Terrace 9 Chair: Jason Yust, Boston University Scriabin's Cycles: Octatonic Keys, Sonata Form, and Harmonic Alchemy in the Works 1911-12 Symmetrical Structures in Xenakis’s Okho: At the Intersection of Mathematics and Literature Akin Euba and the Role of Pitch Structures in "African Pianism" |
Haydn’s Middles Location: City Terrace 12 Chair: Roman Ivanovitch, Indiana University Haydn’s Hinge Joints: Schemata and the Contrasting Middle in Symphonic Small Ternary and Minuet Forms Standing/Dancing/Pirouetting on the Dominant: Medial Caesurae and Galant Schemata in the Symphonies of Haydn, Mozart, and Beethoven Haydn's Exposition-like Developments |
Architecture of Aggression: Form and Process in Heavy Metal Location: River Terrace 2 Chair: Brad Osborn, University of Kansas Session will be livestreamed: https://tinyurl.com/2x8vxvyu
Terminally Anti-Climactic Form in Post-1990s Progressive Metal Mutually Exclusive Two- and Three-Part Forms in Heavy Metal Songs What is a riff? A Structural Definition and its Analytical Consequences for Process and Form in Heavy Metal |
Prosody and Text Setting in Popular Music Location: River Terrace 3 Chair: Stephen Eugene Rodgers, University of Oregon Session will be livestreamed: https://tinyurl.com/43vm5ah7
"All the Lonely Starbucks Lovers": Prosodic Dissonance in Taylor Swift's Discography Vocality and Plurality in Sign Language Cover Songs The Development and Artistry of Text-Setting in Japanese Rock: Happy End and the Great Japanese Rock Debate (1970) |
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| 12:30pm - 2:00pm |
Music Informatics Interest Group Meeting Location: City Terrace 7 |
Music and Psychoanalysis Interest Group Meeting Location: City Terrace 9 |
Work and Family Interest Group Meeting Location: City Terrace 12 |
Popular Music Interest Group Meeting Location: River Terrace 2 |
Jazz Interest Group Meeting Location: River Terrace 3 This meeting will be livestreamed: https://tinyurl.com/ys48cdvs |
| 2:15pm - 3:00pm |
SMT Business Meeting Location: Conference Center A Meeting will be livestreamed: https://tinyurl.com/2rhjmbkp |
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| 3:00pm - 3:45pm |
SMT Awards Ceremony Location: Conference Center A Ceremony will be livestreamed: https://tinyurl.com/2rhjmbkp |
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| 4:00pm - 5:00pm |
SMT Keynote: What’s Left of Music Theory? Location: Conference Center A Chair: Maryam Aline Moshaver, University of Alberta Vijay Iyer, Harvard University
Session will be livestreamed: https://tinyurl.com/y5z3zv8v |
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| 5:30pm - 7:00pm |
A Concert of Compositions by SMT Members, performed by SMT Members Location: Grand Ballroom 6 PERFORMED BY:
Cynthia Folio (flute), Nathan Lam (clarinet), Paul Miller (violin), Evan Jones (cello), Robert Wells (piano)
Presentations of the Symposium Swells (for solo piano) In Silence (for clarinet, violin, cello, and piano) Laerciando (for flute, clarinet, and piano) If there is a dead thing still rotting (for flute and recited text alone) Pancanonic Fugue in A Minor (for flute, clarinet, violin, and cello) Being (for cello and piano) The Spinning Wheel (for flute, clarinet, violin, cello, and piano) |
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| 7:00pm - 8:30pm |
Queer Resource Interest Group Meeting Location: City Terrace 7 |
Film and Multimedia Interest Group Meeting Location: City Terrace 9 |
Musical Theater Interest Group Meeting Location: City Terrace 12 |
Global Interculturalism & Musical Peripheries and Post-1945 Music Analysis Interest Groups Joint Meeting Location: River Terrace 2 This meeting will be livestreamed: https://tinyurl.com/yaydebv4 |
Performance and Analysis Interest Group Meeting Location: River Terrace 3 This meeting will be livestreamed: https://tinyurl.com/43v3kbwe |
| 7:30pm - 9:00pm |
Awards Reception Location: St. Johns |
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| 9:00pm - 11:00pm |
University of Texas at Austin Alumni Reception Location: City Terrace 4 |
Indiana University Jacobs School of Music Networking Reception Location: City Terrace 5 |
McGill University Reception Location: City Terrace 6 |
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| 9:30pm - 11:30pm |
Yale Alumni Reception & Party Location: City Terrace 8 |
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Contact and Legal Notice · Contact Address:  Privacy Statement · Conference: SMT 2024 |
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