Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Session Overview |
| Date: Thursday, 07/Nov/2024 | ||||
| 8:00am - 12:00pm |
SMT Executive Board Meeting Location: Acosta Closed meeting. |
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| 8:00am - 8:00pm |
Nursing Mothers' Room Location: Client Office 3 |
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| 8:30am - 6:30pm |
Registration Desk Location: Conference Center B |
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| 9:00am - 12:00pm |
Hitchhiker’s Guide to IMTE (Intergalactic Music Theory of Everything) Location: City Terrace 4 By invitation only. |
A Toolkit for Analyzing Late Sixteenth-Century Polyphony Location: City Terrace 6 By invitation only. |
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| 1:00pm - 2:00pm |
Conference Guides Meeting Location: Mathews |
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| 1:00pm - 6:30pm |
Exhibit Hall Location: Conference Center B |
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| 2:15pm - 3:15pm |
Tension and Humor in Music for Film Location: River Terrace 3 Chair: William Ayers, University of Central Florida Session will be livestreamed: https://tinyurl.com/bp63rcnw
Cadentius Interruptus: Music as Cinematic Mood-Killer A Taxonomy of Humor in Film Music and Sound |
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| 2:15pm - 3:45pm |
Extending Transformational Analysis – New Approaches, New Visualizations, New Repertoires Location: City Terrace 7 Presentations of the Symposium Harmonic Contrasts in Recent Progressive Rock: A Hybrid Functional-Transformational Analysis of Mask Machine (2014) by Flying Colors Claves as Source of Rhythmic Transformational Material in Francisco Mignone’s Fourth Sonatina Animation as a Tool for Transformational Analysis of Jazz Improvisation |
Hypermeter and Phrase Rhythm Location: City Terrace 9 Chair: William O'Hara, Gettysburg College Controversial Hypermeters in Bach’s Prelude No. 1 in C Major, WTC I From Old-Time to “Hard Times”: Phrase Rhythm and Prosody in the Music of Tyler Childers “Ancient Voices”: A Hypermetrical and Orchestrational Analysis of the Theme Songs to Seasons of CBS’s Survivor |
Understanding Music Theory Through Labor, Law, and Technologies Location: City Terrace 12 Chair: Jocelyn Neal, UNC Chapel Hill Form Regimes in American Popular Music AI, Copyright Law, and Musical Modernism’s Authorial Collapse Understanding Music Copyright Through Legal Analysis and Music Theory |
Committee on Disability & Accessibility Session Location: River Terrace 2 Session will be livestreamed: https://tinyurl.com/3n2ka847
Presentations of the Symposium Toward Equitable Teaching Practices for Transgender and Genderqueer Aural Skills Students: Voice, Gender, and Belonging Accommodations’ End: Universal Design in Music Theory Assessment Integrating Inclusive Strategies for Students with Visual Impairments: Examples and Shared Resources from NYU’s Curriculum Project |
| 3:15pm - 4:00pm |
Coffee Break Location: Conference Center B Free beverages. |
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| 3:30pm - 5:30pm |
Just Two Cents on Tuning Location: River Terrace 3 Chair: David Lawrence Clampitt, The Ohio State University Session will be livestreamed: https://tinyurl.com/tc9z2f4u
A Balanced Take on Just Intonation in Tonal Music: Towards an Elastic Tonal Pitch Space. 1,203 Cent Octaves and 175 Cent Fifths?: Interval Quality and Frequency Ratio in Berlin School Comparative Musicology Solfège Set Theory The Myth of Transpositional Equivalence |
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| 4:00pm - 5:30pm |
Listening Trans and Trans Listening: Approaches to Music Analysis Location: City Terrace 7 Presentations of the Symposium The Idol’s Iki: Breathing Life Into the Transfeminist Cyborg “Shake It Up and Make It Fizz”: Material, Bonding Play, and Dungeon Intimacies in SOPHIE’s “VYZEE” Listening-With/As a Sea Anemone: Rippling Time and Trans Intimacy in felicita’s “Sex With Anemone” |
Formal Frictions in Tonal Music Location: City Terrace 9 Chair: Nathan John Martin, University of Michigan The Romanticization of the Rounded Binary in Robert Schumann’s Music Lyric Forms as Drama: Integration of Formal Functions and Text Organization in Primo Ottocento Opera Form-Functional Fusion in Sergei Rachmaninoff’s Preludes and Etudes-tableaux |
Temporality in Action Location: City Terrace 12 Chair: Roger Mathew Grant, Wesleyan University Temporality, Tragedy, and Reversed Recapitulation in The Serial-Minimalist First Movement of Joe Hisaishi’s East Land Symphony Measuring Time in Morton Feldman's Late Music Turns En Manège: Balletic Strategies of Meter and Tempo in Tchaikovsky’s Closing Sections |
Navigating Sensitive Topics Location: River Terrace 2 |
| 5:30pm - 6:30pm |
Interest Group Fair Location: Conference Center B |
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| 5:45pm - 6:45pm |
SMT Student Social Climate Survey Report and Open Forum Location: River Terrace 2 While we primarily invite students to attend, all are welcomed. This meeting will be livestreamed: https://tinyurl.com/4xpy3xjf |
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| 6:30pm - 8:00pm |
Opening Reception Location: River Terrace 1 Cash bar, free hors d'oeuvres |
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| 7:00pm - 8:30pm |
Scholars for Social Responsibility Interest Group Meeting Location: City Terrace 9 |
Dance & Movement Interest Group Meeting Location: River Terrace 2 |
Disability & Music Interest Group Meeting Location: River Terrace 3 This meeting will be livestreamed: https://tinyurl.com/4pw4vdsv |
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Contact and Legal Notice · Contact Address:  Privacy Statement · Conference: SMT 2024 |
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