Conference AgendaOverview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
Please note that all times are shown in the time zone of the conference. The current conference time is: 19th Oct 2025, 02:58:30pm CEST
Challenges of the contemporary music theory in the Czech discourse
Time:
Friday, 04/Oct/2024:
5:20pm - 5:50pm
Location: Room 7.112 Concerthall
Building 7
Lipezker Str. 47
03048 Cottbus
Session Topics:
Then and Now: Upheavals in Music Theory Discourse
Presentations
Individual presentation
Topics: Then and Now: Upheavals in Music Theory Discourse Keywords: Czech music theory, Central European music theory, areas of influence, plurality
Challenges of the contemporary music theory in the Czech discourse
Lucia Maloveská
Akademie der darstellende Kunst Prag, Tschechische Republik
In my paper, I attempt to analyze the situation of the music theory in Central Europe, mostly in the Czech republic. In my research, I was observing and comparing various approaches to music theory, while focusing on the aspects which have undergone the biggest development in the last decades. To systematize these developments, I devided my observations of what have an impact on the music theory into three cathegories, or rather areas: cultural context, music research and musical (mostly compositional) praxis. From these areas, many challenges to which music theory should respond are emerging. Some of these challenges (mostly those connected with praxis, such as the plurality of the compositional approaches and styles) might be shared across the countries and institutions. Neverhetless, other challenges are more specific and might be determined by the environment (culturally, socially, historically, etc.). With this paper, I am introducing some of the challenges, which I found to be specific to Czech republic or for the Central European countries. I am comparing the experiences of the theorists in these countries with other discourses, mostly with the American one. The goal of the paper is to stress the plurality of the contemporary music theory.