Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Workshop
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Hybrid Music-Making in a Democratic Classroom. Three Setups for Exploration, Co-Creation and Reflection 1Mozarteum Salzburg, Department Innsbruck, Austria; 2Staatliche Hochschule für Musik Trossingen, Germany; 3Johannes Gutenberg-Universität Mainz, Germany Based on hybrid setups developed within the German research project lernen:digital, this workshop explores how hybrid music-making can foster shared participation, creativity, and collective authorship in music education. Drawing on the concept of the post-digital (Clements 2018; Buchborn & Treß 2023), the workshop addresses material, bodily, and digital dimensions of music-making and illustrates how hybrid setups can provide low-threshold access to it. This approach represents a relevance to everyday life, serving as a common language for building musical community in the classroom (Gerland & Niediek 2022; Werner & Rotsch 2025) and for connecting to diverse youth cultures (Treß 2024). In our 90min-workshop, participants rotate through three hands-on stations and engage in performative and artistic actions with interactive, inclusive, and implementable setups (Schaubruch & Feneberg 2026). Each setup invites exploration, co-creation, and reflection – for instance, on questions of shared control, agency, and authorship.
The workshop provides practical strategies for designing participatory, hybrid music lessons that embody democratic values. It offers inspiration for developing individual or combined setups that can be adapted to diverse teaching contexts. At the same time, it highlights both challenges and opportunities of hybrid music-making to democratize classroom practice – by enabling students to listen, negotiate, and act together across human, technological, and aesthetic boundaries. | ||
