Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Session Overview |
Date: Monday, 02/June/2025 | ||||
5:00pm - 7:00pm |
SF - Welcome and Introduction Location: 272 |
SF - Breakout Room 1 Location: 206 |
SF - Breakout Room 2 Location: 208 |
SF - Breakout Room 3 Location: 296 |
7:00pm - 7:30pm |
SF + Board - Buffet of the Nations Location: 272 |
Date: Tuesday, 03/June/2025 | ||||
9:00am - 10:30am |
SF - Workshop: Musical Gym - Bitocas Fernandes Location: 272 Only for Student Forum group participants. |
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9:00am - 1:00pm |
Doctoral Student Fórum 1 Location: 118 |
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10:30am - 11:00am |
Coffee Break Location: 124 |
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11:00am - 1:30pm |
SF - Exchange & Music making Location: 272 |
SF - Breakout Room 1 Location: 206 |
SF - Breakout Room 2 Location: 208 |
SF - Breakout Room 3 Location: 296 |
1:30pm - 3:00pm |
SF - Lunch Location: Cozinha do Cardeal |
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2:00pm - 6:00pm |
Doctoral Student Fórum 2 Location: 118 |
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3:00pm - 4:30pm |
SF - Plenary Session Location: 272 |
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4:00pm - 4:30pm |
Coffee Break Location: 124 |
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4:30pm - 6:30pm |
SF - City Visit |
Date: Wednesday, 04/June/2025 | |||||
8:30am - 9:15am |
School Visit - Group 1 - Conservatório Regional de Évora Location: Conservatório Regional de Évora |
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9:00am - 1:00pm |
Doctoral Student Fórum 3 Location: 118 |
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9:15am - 10:00am |
School Visit - Group 2 - Conservatório Regional de Évora Location: Conservatório Regional de Évora |
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9:30am - 10:30am |
School Visit - Group 1 - Escola Básica de 1.º CEB da Cruz da Picada Location: Escola Básica de 1.º CEB da Cruz da Picada |
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10:30am - 11:00am |
Coffee Break Location: 124 |
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11:00am - 12:00pm |
SF - Working in groups Location: 272 |
SF - Breakout Room 1 Location: 206 |
SF - Breakout Room 2 Location: 208 |
SF - Breakout Room 3 Location: 296 |
School Visit - Group 2 - Escola Básica de 1.º CEB da Cruz da Picada Location: Escola Básica de 1.º CEB da Cruz da Picada |
12:00pm - 1:00pm |
SF - Lunch Location: Cozinha do Cardeal |
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1:00pm - 2:30pm |
SF - Learning without being taught - 20 years of the Education Service of Casa da Música” - Jorge Prendas Location: 272 Only for Student Forum group participants. |
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1:00pm - 6:00pm |
REGISTRATION Location: Hall do Auditório do Espirito Santo |
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3:00pm - 5:00pm |
National Coordinators Meeting Location: Sala do Senado |
SF - Working in groups Location: 272 |
SF - Breakout Room 1 Location: 206 |
SF - Breakout Room 2 Location: 208 |
SF - Breakout Room 3 Location: 296 |
6:00pm - 7:00pm |
Opening Ceremony Location: Auditório do Espirito Santo |
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7:00pm - 8:00pm |
Meet and Greet Reception Location: Hall do Auditório do Espirito Santo Meet and greet reception with drinks and finger food. |
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8:00pm - 11:00pm |
Dinner for those in EAS roles Location: Taska da Su |
Date: Thursday, 05/June/2025 | |||||||||||
8:45am - 9:00am |
A Dalcroze Warm-Up! Location: Auditório do Espirito Santo |
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9:00am - 10:00am |
Keynote: Patricia Shehan Campbell - Teaching Music Globally, Locally, Culturally—and Holistically Location: Auditório do Espirito Santo Chair: Marina Gall |
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10:00am - 10:30am |
Coffee Break Location: 124 |
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10:00am - 6:00pm |
Doctoral Student Fórum Poster Exhibition Location: Claustro pequeno |
Film screening – “O Canto a vozes” - (The Chant of Voices) – Director – Francisco Manso Location: 114 |
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10:30am - 12:00pm |
Papers - Community Engagement Location: 110 Chair: Philipp Ahner Productive partnerships: The highs and lows of using music to teach Shakespeare in schools Civil wind bands: musical communities within larger communities Singing together: An intergenerational project and its impact on the personal well-being of children and seniors |
Papers - Curriculum and Professional Development Location: 106 Chair: Nuno Mendes Strategic Informalism in Music Education: Cultivating Democratic Spaces for Learning Unlocking music teachers' narratives on pedagogical improvisation. Finding our voice: Dialogic feedback in a pre-service music teacher placement |
Papers - Inclusivity and Diversity Location: 122 Chair: Anna Backman Bister The Hopes for a Brighter Tomorrow: A Social Emotional Learning and Music-Integrated Art Project for Students of Disadvantaged Backgrounds. Collaborative composing with inclusive music ensembles: What attitude, knowledge and skills do composers need? “That is Empowerment in Action, I Think”: Safer Spaces in Music Workshops |
Papers - Musical Voices Location: 121 Chair: Rūta Girdzijauskienė Unlocking children's thinking with and through notation in Irish choral practice Cantar Mais Project: fostering musical creativity in portuguese schools Raising a Common Voice: Reclaiming the School Choir beyond Student-Centredness |
Roundtable Location: 115 Chair: Marina Gall SCHEME AND ISME Roundtable Presentations of the Symposium . |
Papers - Student-Centred Learning and Emerging Technologies Location: 119 Chair: Thomas De Baets Externalising and extending: developing aspects of the inner “self” in creative music students Constructing Informal Music Learning Classroom: Teachers’ Experiences and Perspectives in Elementary Schools in Beijing, China Improvising Across Disciplines and Abilities: Situating Improvisation as a Way of Life |
SF - Final rehearsal for the workshop Location: 272 Only for Student Forum group participants. |
Symposium Location: 131 Music Education and Cultural Sustainability in the Autonomous Region of Madeira Presentations of the Symposium Cultural sustainability through the opportunity to learn traditional instruments in schools: Understanding an educational initiative in Madeira through Grant’s music vitality framework Model of Post-Academic Pedagogical Monitoring and Supervision in a Professional Context: The Case of Artistic Education in the First Cycle of Basic Education in the Autonomous Region of Madeira Musicology and Education: Impact of a Musicological Project in Portuguese Public Organizations (2004–2024) |
Workshops - Curriculum and Professional Development Location: 295 “Towards a relational music pedagogy: Participatory music/art experiences to enhance teachers’ and students’ sense of self, social emotional competencies, classroom climate, and attitudes toward teaching and learning” Two Worlds Collided – an analytical approach to subject integration |
Workshops - Musical Voices Location: 103 Positionality in teaching improvisation |
Workshops - Emerging Technologies, Latest Findings, Future Directions Location: 298 *The authors recommend that participants bring their own laptops, tablets, or smartphones. Resonance: Transforming education through soundtracks, technology, and interdisciplinary learning Complementing traditional music education with modern technology |
12:00pm - 12:15pm |
Break |
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12:15pm - 1:15pm |
Papers - Community Engagement and Emerging Technologies Location: 120 Chair: Annette Ziegenmeyer Exploring Community Music and Gezek in Music Education Context in Türkiye Navigating the digital shift in music education: Institutional perspectives and challenges |
Papers - Curriculum and Professional Development Location: 106 Chair: Demosthenes Dimitrakoulakos Helping Classroom Music Teachers With Assessment in England Exploring the Musical knowledge and skills delivered in the Curriculum for 11-14 year olds in England |
Doctoral Student Fórum Poster Presentation Location: Claustro pequeno |
Papers - Inclusivity and Diversity Location: 122 Chair: Gabriela Karin Konkol Gender stereotypes in music: Challenges and obstacles encountered by women in male-dominated musical environments Studying music in Cyprus and Romania: Perspectives of teachers and students with Special Education Needs (SEN) |
Papers - Musical Voices Location: 121 Chair: Tina Bohak Adam Investigating Young Children’s Musical Improvisation Pathways: An Action Research in a Greek Kindergarten School Collective free improvisation in the Flemish general music classroom: Probing student’s lived experience through flow. |
Round Table Location: 110 Unlocking voices in amateur music ensemble practices: developing international perspectives Presentations of the Symposium N/A |
Round Table Location: 115 dialoguing@rts: Advancing Cultural Literacy for Social Inclusion through Dialogical Arts Education Presentations of the Symposium dialoguing@rts: Advancing Cultural Literacy for Social Inclusion through Dialogical Arts Education |
Papers - Student-Centred Learning Location: 119 Chair: Maria José Artiaga From Objects to Sounds: Facilitating Children's Musical Narratives through Symbolic Play Perspectives of Middle School Music Teachers on Virtual Stage Experiences |
SF - EAS Student Forum workshop Location: 272 Chair: Branka Rotar Pance Chair: Oliver Krämer Workshop presenters: music education students from all over Europe.
Open to all participants. |
Workshops - Musical Voices Location: 295 Unlocking the musical body: an embodied approach to rhythm, melody and harmony. |
Workshops - Workshops - Curriculum and Professional Development Location: 105 The author will be streamed live via Zoom and projected.
Bach, Broadway, and Beyoncé: Creating a space for popular music in choir |
1:15pm - 2:30pm |
Lunch Break Location: 129 |
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2:15pm - 2:30pm |
Mini-Concert |
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2:30pm - 4:00pm |
Papers - Curriculum and Professional Development Location: 106 Chair: Andreas Volker Lehmann-Wermser The Impact of Divisive Concepts Laws on Music Education: An Investigation of Georgia Public School Music Teacher Perceptions Fostering cultural experiences through innovative concepts of school concerts The Position of Musical Art in the System of Primary and Secondary Education in Montenegro - Problems, Challenges and Perspectives |
Papers - Emerging Technologies, Future Directions, Latest Findings Location: 110 Chair: Marek Sedláček Using Generative Artificial Intelligence to Improve Teacher Productivity the Prompt Way Principles of Music Semiotics and Youth Musical Preferences as Foundations for Receptive Music Education VR Rhythm Games in Music Lessons |
Papers - Inclusivity and Diversity Location: 122 Chair: Christopher Wallbaum The Convivial Classroom: children’s intercultural music-making and familial learning in Birmingham, England Music as catalyst: unlocking student voices and celebrating diversity beyond borders in collaborative music-making Engaging Students as Co-Creators: The Role of Student Voice and Project-Based Learning in Music Education |
Papers - Musical Voices Location: 121 Chair: Thomas Geudens Principles, requirements and limitations of music notation in a cross-cultural perspective using the example of the Brazilian instrument pandeiro Reconstructing children’s perspectives and discourses of musical participation within a wide-reaching music and dance program in elementary schools in Germany Flute Moves: Developing Movement-Based Instrumental Practices for Young Learners Through Collaborative Action Research |
Round Table: Future-proof music teacher competences: introducing the new set of TEAM Learning Outcomes Location: 115 Chair: Thomas De Baets Chair: Ann-Sophie De Praitere Chair: Marina Gall Chair: Isolde Malmberg |
Symposium Location: 131 Barriers, Bridges and New Paths – Experiences and Hegemony-critical Perspectives on the Implementation of Non-Western Art Music Instruments in German Music Education Degrees Presentations of the Symposium Teacher Training Programmes as Preparation for Inclusive Music Teaching in a Diverse Society? A Hegemony-critical Introduction Introducing the Bağlama as an Artistic Major in Music Education Degree Programmes – Implementation Process, Curricular Development and Structural Challenges Perspectives of Bağlama Players on Barriers and Exclusion within the Context of Music Teacher Training |
Workshops - Inclusivity and Diversity Location: 103 Anti-Bias Practices in Music Education: Empowering Student Voices |
Workshops - Emphasizing Sustainability Location: 272 sound_stories: Imagining Pasts and Futures of Sustainability in Music and Sound |
Workshops - Musical Voices Location: 295 "Come and go – stay as long as you like" – The Rostock Teacher Soundlab as an Open Musical Exploration and Experience Space |
Workshops - Emerging Technologies, Latest Findings, Future Directions Location: 298 Virtual Reality in Music Class: Opportunities, Challenges, and Didactic Experiences |
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4:00pm - 4:30pm |
Coffee Break Location: 124 |
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4:30pm - 6:00pm |
Papers - Curriculum and Professional Development Location: 106 Chair: Gerhard Sammer Music education as subjectification? MULEM-EX - Why do young people decide against a teacher's degree in music? Entrepreneurial master’s theses – reducing the gap between theory and practice |
Papers - Emerging Technologies, Future Directions, Latest Findings Location: 110 Chair: Wilfried Aigner Unlocking an unheard, methodological Voice in Music Education. Peer Instruction and Audience Response Systems in German Music Education Post-digital Improvisation with Playtronica in Music Lessons Exploring, Music Making, and Learning in the "Teacher Soundlab" – An Evaluative Interview Study on Specific Music and Learning Experiences within an Open Space Concept |
Papers - Interdisciplinary Methods and Curriculum Development Location: 119 Chair: Emma Nenadic The Artist's Ritual - A Journey of Transformation through Interdisciplinary Collaboration in Higher Education Expectations and Interpretations of “Process” in the Schulwerk of Carl Orff Music education in the Portuguese elementary school: challenges to equity and quality in education |
Papers - Musical Voices Location: 121 Chair: Basak Gorgoretti Young Audiences and classical organ music? Evaluation of the organ concert for children „Orgelbauer Fröhlich“ Developing musical skills in preschool-aged children through playing by ear Lithuanian polyphonic songs "Sutartinės": the structural possibilities of their musical language for the development of pupils' musicianship and listenership |
Papers - Promoting Democracy in Education and Curriculum Development Location: 122 Chair: Johannes Treß “So while you´re imitating Al Capone, I will be Nina Simone”: Examining gender-based violence in music as futures literacy. A documentary development research study. Unlocking Voices in Comparative and Creative World Centered Music Education – A Model and Examples With Voices Adapting to Changing Educational Landscapes in Music Education: A Response to Misogyny in Music and Policy Advocacy |
Round Table Location: 115 Round Table Session: Unlocking and Uncovering Diverse Voices in Musical Settings Presentations of the Symposium Round Table Session: Unlocking and Uncovering Diverse Voices in Musical Settings |
Symposium Location: 131 Empowering Voices in Music Education towards an Inclusive Society: Biographical Perspectives on the Construction of Inclusivity Presentations of the Symposium Biographical perspectives of music school teachers on diversity Beyond Sight: Empowering the Voice of a Visually Impaired Music Educator Music for what and whom? - Six music teachers’ perceptions of teaching music in Swedish Compulsory School for pupils with intellectual disabilities The (in)visible barriers: the power of teachers' beliefs and attitudes in shaping inclusive music education Participation and Accessibility in Learning Processes with Digital Media In (Inclusive) Music Classrooms |
Workshops - Musical Voices Location: 295 Singing Bossa Tango Nova: Cross-training Vocal Styles in South America |
Workshops - Emerging Technologies, Latest Findings, Future Directions Location: 298 From a white canvas to the colors of musical joy Counterstorytelling through Sound: Sampling Female Pioneers in Electronic Music and Hip Hop |
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6:00pm - 7:00pm |
Break |
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7:00pm - 8:00pm |
Concert - Monda Location: Claustro Grande |
Date: Friday, 06/June/2025 | ||||||||||
8:45am - 9:00am |
Warm-up - Imagine workshop Location: Auditório do Espirito Santo |
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9:00am - 10:00am |
Keynote: Sara Carvalho - Through the Looking-Glass: Reflections on my Compositional Process Location: Auditório do Espirito Santo Chair: Manuela Encarnação |
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10:00am - 10:30am |
Coffee Break Location: 124 |
NC Meet and Greet Location: 118 Come and meet your National Coordinator. |
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10:00am - 6:00pm |
Doctoral Student Fórum Poster Exhibition Location: Claustro pequeno |
Film screening – “O Canto a vozes” – Director – Francisco Manso Location: 114 |
Posters Exhibition Location: Claustro pequeno |
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10:30am - 12:00pm |
Papers - Curriculum and Professional Development Location: 106 Chair: Ana Luísa Veloso Unlocking the Voices of Young Music Teachers. An autoethnographic approach. Effects of EMP-interventions on Elemental musical skills of primary school children in Austria. Results of an empirical-quantitative study. A New Concept of Music Education? Insights from a Case Study with Pre-Service Teachers in an Italian university |
Papers - Emerging Technologies, Future Directions, Latest Findings Location: 121 Chair: Benno Spieker Hearing different voices for co-creative music education. Developing and experiencing new teaching and learning-scenarios through human-computer-interaction-songwriting in community music settings Musical learning in the post-digital age: unlocking voices of teenage learners in the context of digital music production. Developing post-digital musicianship in interdisciplinary multimedia performances. An interview study to reconstruct students’ approaches to the use of digital music practices |
Papers - Inclusivity and Diversity Location: 119 Chair: Nuno Mendes Resonances from intercultural encounters in music education Cultivating Creativity and Cultural Connection through Inclusive, Student-Centred Music Education in South Tyrol Music education, musical ability and language skills in children from disadvantaged backgrounds |
Papers - Musical Voices Location: 110 Chair: Ana Leonor Pereira Healthy use of the voice among undergraduate singing students in a pilot study The Multifaceted Dimensions of Choir Competitions: Conductors’ Perspectives Enhancing Creativity and Emotional States in Ukulele Education through Improvisation and Movement: A Pilot Study |
Symposium Location: 131 New ways of performing, new ways of transmitting Presentations of the Symposium Experimenting with traditions Advocating Diversity What does "Diversity" mean to Music Education |
Papers - Student-Centred Learning Location: 122 Chair: Lorraine O'Connell Music with and without words: Empowering Children's Voices and Expressions through improvisation Unlocking Flow in Novice Improvisers: How Task Design and Self-Regulation Shape Creative Experiences in Music Education Promoting the well-being of boys' choir singers in the music making process |
Workshops - Musical Voices Location: 103 The magical voices of Lithuanian polyphonic songs 'Sutartinės': musicking, composing, listening Improvisation in large ensembles |
Workshops - Curriculum Development, Professional Development Location: 272 Greetings from sigPRIME with “Music for Every Day”: Curricular-related learning sequences, not only for primary schools Greetings from SIGPrime: MMD reflection holistic tool for unlocking the voices of student teachers |
Workshops - Emerging Technologies, Latest Findings, Future Directions Location: 298 Unlocking Creativity: Integrating Electronic Digital Instruments in Music Education |
Workshops - Curriculum and Professional Development Location: 295 Music and movement, creativity and play with Latin American songs |
12:00pm - 12:15pm |
Break |
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12:15pm - 1:15pm |
Papers - Curriculum and Professional Development Location: 106 Chair: Sabine Mommartz "Well, someone has to do it" – On the Perception of Professional Roles and Behavioral Expectations of Young Female Music Educators Starting Their Careers in Music Schools and How They Navigate Them Creative Musical Activities in Curriculum Reforms in Relation to the Reflections and Experiences of Music Teachers |
Papers - Emerging Technologies, Future Directions, Latest Findings Location: 121 Chair: Benno Spieker AI as »Deus ex machina«? Voices of human and non-human actors in human-computer-interaction music education Gesture-based Augmented Reality for Music Education |
Papers - Inclusivity and Diversity Location: 119 Chair: Sezen Ozeke When Educators Unite: The power of inclusion as our common "talisman". Group Improvisation as an Embodied Creative Experience in Secondary Education |
Papers - Musical Voices Location: 120 Chair: Clarissa Gomes Foletto Professional competencies in song accompaniment with guitar – an empirically founded conceptualization "The Sound of St.Gallen" – A Participatory Composition for Symphony Orchestra |
Posters presentation Location: Claustro pequeno |
Round Table Location: 110 Empowering and networking student voices of future music teachers (Round Table Session) Presentations of the Symposium Empowering and networking student voices of future music teachers (Round Table Session) |
Round Table Location: 115 Round Table: Re-imagining mobility in music teacher education. Cultures, structures and practices that support students in their mobility experiences Presentations of the Symposium Round table Discussants |
Workshops - Musical Voices Location: 272 Creative Singing with Children: Fostering Social Skills, Empowerment, and Musical Independence Through a Holistic Approach |
Workshops - Musical Voices Location: 298 *The author recommend that participants bring their own laptops, tablets, or smartphones Singing with Cantar Mais: A Creative Journey |
Workshops - Emerging Technologies, Latest Findings, Future Directions Location: 295 Graphic Suite: A Performative Action for Electronics, Unconventional Instruments and Movement |
1:15pm - 2:30pm |
Lunch Break Location: 129 |
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2:15pm - 2:30pm |
Mini-Concert UE |
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2:30pm - 4:00pm |
Papers - Curriculum and Professional Development Location: 115 Chair: Natassa Economidou-Stavrou Art for childhood at university: a report on the Bambulha Group Chinese primary music teachers' perspective on music education Between discomfort and creative self-discovery: a situational analysis of reflections on improvisation by pre-service teachers |
Papers - Emerging Technologies, Future Directions, Latest Findings Location: 121 Chair: Morel I. Koren Empowering students' learning through innovative digital music education pedagogies “...and then I went to my favorite platform and picked up some inspiration”. Collecting, selecting, and transforming reference as crucial skills for songwriting-producing in the post-digital age “Studying music education. You won't be replaced by AI here” - How are music education studies being modified by new technologies? |
Papers - Emphasizing Sustainability and Community Engagement Location: 106 Chair: Sehnaz Sünnetcioglu Music as a Bridge: Program Collaboration to Engage the Broader Community Music Education as Transformative Education for Sustainable Development: A Framework for Teachers |
Papers - Inclusivity and Diversity Location: 119 Chair: Pepy Michaelides “Playing Catch-up”: State-school students’ experiences of studying music at a UK conservatoire. The Creative and Social Imperative: A Re-Wilding of Possibilities through Creative-Collaborative Practice in Music Education Music as a Tool for Social Inclusion, Education, and Emotional Development: An Analysis of European Policies |
Papers - Interdisciplinary Methods Location: 122 Chair: Mark Stephen Aitchison Aesthetic transformation processes using paintings as composition templates Petits luthiers: the classroom as a laboratory for contemporary artistic creation Cross-modal improvisation to foster musical creativity |
Papers - Musical Voices Location: 110 Chair: Ruth Frischknecht Kaleidoscopic voice pedagogy: developing a voice program with cross-training in Latin America Unlock vulnerable students’ verbal expression in a creative music listening task "Choral voices, evolving spaces: gender-sensitive education and the future of boys' choirs" |
Symposium Location: 131 Empowering students‘ musical voices: reflection on six international music olympiads Presentations of the Symposium Empowering students‘ musical voices: reflection on six international music olympiads |
Workshops - Curriculum and Professional Development Location: 103 The Wuytack “Active Music Listening” pedagogy to develop children’s learning |
Workshops - Musical Voices Location: 295 Vocal Statements Shaping Futures Through Improvisation: Exploring Oneself in Movement and Sound in Music Education |
Workshops - Inclusivity and Diversity Location: 298 Unlocking Music Pedagogy in Special Schools Accessible Music Education: Tools to Reach Every Student |
4:00pm - 4:30pm |
Coffee Break Location: 124 |
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4:30pm - 5:30pm |
DigiTiME Open Session Location: 121 |
ImprovME Open Session Location: 124 |
InclusME Open Session Location: 115 |
PriME Open Session Location: 110 |
SiME Open Session Location: 119 |
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4:30pm - 6:00pm |
Workshops - Emphasizing Sustainability and Student-Centred Learning Location: 295 “One Thousand Birds”: The desire for peace and listening to the environment through music education Effective strategies in student-centered music learning and assessing |
Workshops - Musical Voices Location: 298 Circle Singing: Enhancing Musical Fluency and Social-Emotional Well-Being |
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5:30pm - 6:30pm |
General Assembly Location: 131 All are welcome! |
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6:30pm - 7:00pm |
Break |
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7:00pm - 11:00pm |
Conference Dinner - M’AR De AR Muralhas Hotel Location: Hotel M'Ar de Ar Muralhas https://maps.app.goo.gl/PuiBtNERufC4RHZT6
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Date: Saturday, 07/June/2025 | ||||||||||
9:00am - 10:00am |
Papers - Curriculum and Professional Development Location: 121 Chair: Bendik Fredriksen Unveiling the potential of Blended Intensive Music Education Programs for students and teachers Fostering Collaborative Creativity in Specialized Music Education Settings: A Sound-Centered Approach in Early Musical Training |
Papers - Inclusivity and Diversity Location: 119 Chair: Blaženka Bačlija Sušić Music, Creativity, and L2 Acquisition: Paths Towards a Democratic and Inclusive Education Redefining Voice: Exploring Gender and Musical Fusion in the Work of Nuri Harun Ateş |
Papers - Interdisciplinary Methods Location: 122 Chair: Katherine Xenophontos “Simultaneous Learning as a way to promote interdisciplinary learning in primary school” Unlocking Creative Potential: Bridging Disciplines to Transform Music Education |
Papers - Musical Voices Location: 106 Chair: Ana Isabel Pereira “I like this note, but not that one”: Unlocking musicians’ voices on orchestration in an amateur symphony orchestra The Role of Choral Singing in Promoting Youth Wellbeing – Qualitative Study |
Papers - Policy and Advocacy and Student Centred Learning Location: 110 Chair: Carlos Batalha Specialist music teachers in early childhood education institutions in Portugal and Brazil: evidence of a growing phenomenon Empowering Music Educators to Revitalize Zarzuela for Secondary Students |
Round Table Location: 115 ‘Empowering voices’ in Teaching Music in the Classroom: Comparing Perspectives and Challenges of Pre-service Music Teachers in Poland, Greece, Spain, Turkey, and Germany Presentations of the Symposium ‘Empowering voices’ in Teaching Music in the Classroom: Comparing Perspectives and Challenges of Pre-service Music Teachers in Poland, Greece, Spain, Turkey, and Germany |
Workshops - Musical Voices Location: 298 Improvisation and Identity: Exploring Cypriot "Tsiattisma(n)" in changing educational landscapes |
Workshops - Musical Voices Location: 272 Free vocal play - an interdisciplinary approach to improvisation |
Workshops - Emerging Technologies, Latest Findings, Future Directions Location: 295 Short-Videos on Social Media - Systematic Approaches for Creative Classroom Use |
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10:00am - 10:30am |
Coffee Break Location: 124 |
Music Teacher Associations (MTAs) – Meeting Location: 118 |
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10:00am - 12:00pm |
Doctoral Student Fórum Poster Exhibition Location: Claustro pequeno |
Film screening – “O Canto a vozes” - (The Chant of Voices) – Director – Francisco Manso Location: 114 |
Posters Exhibition Location: Claustro pequeno |
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10:30am - 11:30am |
EAS book series - European Perspectives on Music Education (EpoME) Location: 105 Chair: Thade Buchborn |
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10:30am - 12:00pm |
Papers - Community Engagement Location: 119 Chair: Bert Gerard Appermont Vision impossible? – A university of music and a facility for short-term juvenile detention following the same path Fostering Musical Voices of the Community Through Inclusive and Participatory Practices Building Bridges: Erasmus Projects and the Power of School Partnerships |
Papers - Curriculum Development, Professional Development Location: 121 Chair: Franz Niermann Teaching practices of musical theory and aural skills in higher education: "why, what, how and by whom" Who is the broker of the gap? Or how do findings from music didactics research find their way into teaching? Enhancing Teacher Training Through Musical Creativity: The Impact of CREDMUS Project |
Papers - Emerging Technologies, Future Directions, Latest Findings Location: 110 Chair: Oliver Krämer Diversity repeated. Loops as a tool for diversity-sensitive music education Promoting digital transition in music education: A case study in a Portuguese Music Conservatoire |
Papers - Emerging Technologies, Future Directions, Latest Findings Location: 118 Chair: Ana Leonor Pereira "Sing without fear!" An app to help educators and teachers sing with children: A work-in-process report. Algorithmic Composing with Scratch |
Papers - Musical Voices and Inclusivity and Diversity Location: 122 Chair: Jelena Martinović Bogojević Music Education for children with special needs in Albanian inclusive schools Towards a multicultural and empathetic music education |
Papers - Policy and Advocacy Location: 106 Chair: Lina Van Dooren Fitting in and Sticking out - White, middle-class ideals in the UK music curriculum and how they affect non-white students Unlocking music teacher education across Europe: Challenges and innovative practices Whose voices are heard in music curriculum development? A comparative analysis of three European countries. |
Posters presentation Location: Claustro pequeno |
Symposium Location: 131 Shaping Musical Futures: Perspectives on Post-Digital Music Education Presentations of the Symposium Post-Digital Music Policy and Practices in Music Teacher Education Identities, emotions and sustainability in digital music education in the age of AI Music Teacher Further Training on Digital Competences & Practices: Concepts and Challenges |
Workshops - Musical Voices Location: 298 Engaging Voices, Building Communities: An improvisation workshop by and with the ImprovME SFG |
Workshops - Inclusivity and Diversity Location: 295 Ubuntu!- I am because we are! - African music used as vehicle for the development of important educational domains. |
12:00pm - 12:15pm |
Break |
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12:15pm - 1:15pm |
Keynote: Juliet Hess - Reimagining Critical Pedagogy for Music Education: Toward an Activist Music Education Location: Auditório do Espirito Santo Chair: Thade Buchborn The keynote will be streamed live via Zoom and projected in the Auditório do Espirito Santo. |
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1:20pm - 2:00pm |
Closing Ceremony Location: Auditório do Espirito Santo |
Contact and Legal Notice · Contact Address: Privacy Statement · Conference: EAS 2025 |
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