Conference Agenda
Overview and details of the sessions of this conference. Please select a date or location to show only sessions at that day or location. Please select a single session for detailed view (with abstracts and downloads if available).
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Session Overview |
Date: Monday, 10/June/2024 | ||
5:00pm - 7:30pm |
BM-1 Location: EQ-211 |
SF-1 Location: EQ-116 |
Date: Tuesday, 11/June/2024 | ||
9:00am - 6:00pm |
BM-2 |
SF-2 Location: EQ-116 |
10:00am - 6:00pm |
DSF-1 Location: EQ-208 |
Date: Wednesday, 12/June/2024 | ||
School Visits Location: Main Foyer 9.45am - St Agnes CCMA 10.00am - St Patrick's Cathedral 9.45am - St Mary's National School, Donnybrook 11.45am - Demonstration class (Primary school), TU Dublin |
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9:00am - 12:00pm |
BM-3 Location: EQ-211 |
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9:00am - 6:00pm |
DSF-2 Location: EQ-208 |
SF-3 Location: EQ-116 |
1:00pm - 5:30pm |
REGISTRATION Location: Main Foyer |
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2:00pm - 4:00pm |
National Coordinators Meeting Location: EQ-211 |
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6:00pm - 7:30pm |
Opening Ceremony and Reception Location: Concert Hall The Forge (by Seamus Heaney) All I know is a door into the dark. Outside, old axles and iron hoops rusting; Inside, the hammered anvil’s short-pitched ring, The unpredictable fantail of sparks Or hiss when a new shoe toughens in water. The anvil must be somewhere in the centre, Horned as a unicorn, at one end and square, Set there immoveable: an altar Where he expends himself in shape and music. Sometimes, leather-aproned, hairs in his nose, He leans out on the jamb, recalls a clatter Of hoofs where traffic is flashing in rows; Then grunts and goes in, with a slam and flick To beat real iron out, to work the bellows.
Analysis of the poem at heaney the forge - Yahoo Search Results Video Search Results |
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7:30pm - 8:30pm |
Meet and Greet Barber's Pub, Lower Grangegorman Road |
Date: Thursday, 13/June/2024 | ||||||||
8:40am - 8:55am |
Morning Warm-up Location: Recital Room Dr Motje Wolf (Montfort University) |
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9:00am - 10:00am |
Keynote Presentation 1: Dr Huib Schippers Location: Concert Hall Chair: Isolde Malmberg Title: Nurturing musical citizenship: The ongoing process of transforming music education |
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10:00am - 10:15am |
CB-1 Location: Main Foyer |
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10:15am - 11:45am |
PP-1A Location: EQ-110 Chair: Jimmy Goeijenbier Exploring Bodily and Sensory Experience Potentials in Music-Making with the GarageBand App The evaluation of singing as an impossible practice: results from a Swiss research project and a perspective to its transformation through a holistic assessment method |
PP-1B Location: EQ-111 Chair: Johannes Treß Opera, quo vadis? Critical Perspectives on (Products of) Music Theatre Mediation Regarding Current Social Challenges Multiliteracies as future skills in music – multimodal approach to teaching music "A trip to Rebetiko": Lessons from Critical Pedagogy in Greek music education |
PP-1C Location: EQ-112 Chair: Barbara Jillian Dignam Uses of technology and digital tools in higher music education: A systematic review The Culture of the Curiosity Amplifier: A research study exploring the efficacy of the iPad as a tool for musical learning. Teaching Music and Technology Simultaneously: Two Birds with One Stone? |
SF presentation Location: Concert Hall |
InclusME Symposium Location: EQ-002 The Echoes of Tradition: Children's Songs of the Past - Lessons for Today Presentations of the Symposium Children’s Songs as a Subjectivising Medium. Analysing Transformative Processes in the Process of Subjectivation Inclusive Insights: Thoughts on Greek Traditional Children’s Songs “Liten Karin” and “Vem kan segla” – Two Examples of Swedish Folk Songs in Education Do you think of what you sing? |
WS-1A Location: EQ-116 Chair: Mary Stakelum The MusiQuE Standards for Classroom Music Teacher Education Programmes: a tool to support classroom music education providers and stakeholders to reflect on traditions and transform music teacher education |
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11:45am - 12:15pm |
Morning Break Location: Main Foyer |
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12:15pm - 1:15pm |
DSF presentation Location: EQ-208 |
PP-2A Location: EQ-110 Chair: Demosthenes Dimitrakoulakos Teacher training in transformation: Using AI for retrieval practice Transformation ahead! Developing blended learning formats with lecturers of higher music education |
PP-2B Location: EQ-111 Chair: Mary Nugent A differentiated model for promoting language development and linguistic diversity through music education Aesthetical learning with songs in Norwegian as a school subject |
PP-2C Location: EQ-112 Chair: Franz Niermann Towards a ‘Genre Informed Teaching Practice’ (GITP) for authentic learning in music education Researching traditions in transformation. Using the design-based research approach to understand and scaffold processes of transformation in rural music ensembles |
PP-2D Location: EQ-204 Chair: Helmut Schaumberger »Harmonizing Tradition and Innovation: Integrating Artificial Intelligence in Music Education (IntegrAIteME)« Music Education in the World of Artificial Intelligence |
WS-2A Location: EQ-211 Chair: Susan Rebecca McCormick Thinking in Utopias - Taking Traditions Further |
WS-2B Location: EQ-116 Chair: Natassa Economidou Stavrou Navigating Challenges in Music Teacher Education. A collaborative and participatory workshop exploring the diversity and challenges across Europe |
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1:15pm - 2:00pm |
Lunch Break Location: Lower House Restaurant |
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2:00pm - 2:20pm |
Lunchtime Concert Location: Concert Hall Voice and Piano Concert with Diana Salop and Olga Nasonova (Students of TU Dublin Conservatoire).
Programme
O del mio dolce ardor from Paride Ed Elena Act 1 Christoph Willibald von Gluck
She is far from the land Thomas Moore (arr. Frank Lambert)
The last rose of summer Thomas Moore (arr... |
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2:30pm - 4:00pm |
PP-3A Location: EQ-112 Chair: Adri de Vugt Teaching and learning formats in music education between tradition and new approaches. Use of digital learning formats by music teachers EDI in Swedish Music Education: Transforming Traditions and Navigating Challenges Teaching Concepts not Tools - Fostering Creative Literacies in Music Production |
PP-3B Location: EQ-110 Chair: Sarah Hennessy Making music together in an inclusive setting: Preliminary results from an ethnographic study in South Tyrol, Italy Ukrainian Children Making Music in an Irish School: A Temporary Place to Be? Dilemmas of Teaching Philippine Musical Indigeneities under a Postcolonial Nationalist Legacy |
PP-3C Location: EQ-111 Chair: Gabriela Mayer From music to music theory: a contextual approach to the formal music theory curriculum Reassessing Music Textbooks within a Transformative Approach: Enhancing Teaching and Learning in the ‘Contemporary Music Classroom’ |
SiME Open Session Location: EQ-204 |
Symposium 3A Location: EQ-002 Transforming music education in Scottish schools: Stories from the Music Education Partnership Group of Scotland Presentations of the Symposium We Make Music Schools Reinvigorating community traditions and exploring new musical pedagogies Emerging partnerships between formal & non-formal music education in Scotland Everyone can play! How exploring alternative approaches in notation and technology can include everyone. Education Reform – an opportunity to achieve the MEPG vision? |
Symposium 3B Location: EQ-208 Transformation through school internships abroad: Internship formats and mentoring in music education. Presentations of the Symposium Developing Formats for Internships Abroad in Music Ensuring Quality for Mentoring in Internships abroad in a Music Classroom |
WS-3A Location: EQ-211 Chair: Benno Spieker “Music & Subject Integration: six ways to transform the curriculum” |
Student Session Location: EQ-116 Participation in Music Education (Student Session) |
4:00pm - 4:30pm |
Coffee Break Location: Main Foyer |
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4:30pm - 6:00pm |
PP-4A Location: EQ-208 Intercultural pedagogy in the curricula of primary school music education in Bosnia and Herzegovina, Croatia, Montenegro, and Serbia Transforming teaching in music classroom through project based learning |
PP-4B Location: EQ-110 Chair: Philipp Ahner Our BandLab journey: transforming collaborative composition in the music classroom and beyond Music teaching in transformation. A Didactic Model for Categorizing Operational Scenarios of AI in music lessons Exploring Generative AI in Comprehensive Music Education: A Critical Pragmatic Perspective |
PP-4C Location: EQ-111 Chair: Sezen Ozeke Folk song as a constant in future music education? A comparative study on the use of folk songs in music education. Sámi music in Norwegian schools: nature, popular culture and government policy CREATIVE PEDAGOGICAL IDEAS IN TRANSMITTING THE MANİ TRADITION THROUGH FOLK SONGS |
PP-4D Location: EQ-112 Chair: John O'Flynn Using social justice as a lens in the music history classroom: An action research study Moving Away from Traditional Perspectives on Inclusive Research – Addressing Practices of Students in Music-Making Situations at a Secondary School in Germany How to "steal like an artist" in the music classroom |
Student Session (continued) Location: EQ-116 |
Symposium 4A Location: EQ-002 “And where is the music here?” Music teaching and learning in the context of a sustainable development education Presentations of the Symposium ESD through inter- and transdisciplinary approaches in the project Co-CreART. Co-Creating Change! - "And where is the music here?" Conceptualizing sustainability in music education through teachers’ perspectives and experiences. Music teaching, ESD and the ongoing climate emergency from the perspective of teachers. A Grounded Theory study |
Symposium 4B Location: EQ-211 The Transformative Possibilities of Music Education Partnerships Presentations of the Symposium Igniting a spark?: How an Irish arts partnership supported primary teachers in their teaching of arts education. Music Education Partnerships: Resourcing or Outsourcing? Music teacher habitus, music education partnership projects, and long-lasting change in schools. Expertise, hierarchies, and power in partnerships. |
WS-4A Location: Organ Room Chair: Aine Brennan Transforming traditional pedagogies by using Popular Music to teach musicianship in the High School |
6:00pm - 7:00pm |
Break |
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7:30pm - 9:00pm |
Evening Concert: Brass, Piano and Children's Choir Location: Concert Hall Horn Quartet (TU Dublin Conservatoire).
Piano: Peter Ryan (TU Dublin Conservatoire).
Dublin Youth Choir conducted by Dr Lynsey Callaghan. Accompanist: Gail Evans |
Date: Friday, 14/June/2024 | ||||||||
8:40am - 8:55am |
Morning Warm-up 2 Location: Recital Room Dr RóinIn Blunnie (DCU) |
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9:00am - 10:00am |
Keynote Lecture 2-Prof. Marie McCarthy Location: Concert Hall Chair: Lorraine O'Connell Title: Responding to Social Transformations of Our Time, Retuning Traditions in the Music Classroom |
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10:00am - 10:15am |
Break |
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10:15am - 11:45am |
DigiTiME Open Session Location: EQ-208 Chair: Philipp Ahner |
PP-5A Location: EQ-112 Chair: Carlos Batalha Preservice Music Teachers’ Perceptions of Guitar Techniques Class Gibberish as a place of transformation for Portuguese music education major students and their internship classes Improvisation in higher music education: Pre-service music teacher's preparation and perspective |
PP-5B Location: EQ-116 Chair: Gerhard Sammer Music Education from a Global Perspective: A Human Library Course Design “Indeed, I came home as a changed person” - Reflecting Traditions and personal Transformations via international exchanges of music education students Is mobility in Music Teacher Education in need of transformation? Objectives, structures and experiences investigated at 13 European higher education institutions |
PP-5C Location: EQ-110 Chair: Patricia Flynn And We’ll All Go Together: Culturally Sustaining Pedagogy and Irish Choral Repertoire When music education isn't enough Teacher Traditions and Transformations: The centrality of teachers in the National Children's Choir |
PP-5D Location: EQ-111 Chair: Jelena Martinović Bogojević Traditional Music Making in School – a Way to Social Transformation? Nurturing students' bimusicality in school: The case of public Secondary Music Schools in Greece Music Program Curricula at Swedish Folk High Schools - conditions for inclusion/exclusion |
Symposium 5A Location: EQ-002 Transforming curriculum design, pedagogy and assessment in partnership with learners: perspectives from Malta and Ireland Presentations of the Symposium Transforming the traditional music theory curriculum: students’ perspectives on what needs to change ‘We’re Doing Our Music’: Findings from a participatory case study into the experiences of music teaching and learning in the Irish Primary school classroom using Music Futures approaches The transformative impact of an integrated art-based project for preservice generalist teachers on curriculum planning, content delivery, and assessment: a self-study of teacher education practices Real time and virtual authentic assessment: tracking pre-service teachers’ development as choral leaders Generative AI, Academic Integrity and Assessment in Music Education: Insights from Practice in Teacher Education |
Symposium 5B Location: EQ-211 Navigating at the interface of digitalization, sustainability, and music education: Four perspectives for a sustainable post-digital music education Presentations of the Symposium Digitalisation from an inclusive perspective - 3 theses as a starting point for discussion. Digitalization and sustainability in music education. Mapping European framework documents and policy papers Sustainably bridging the technology integration gap by transforming music teacher training Maker Education + Music Education = Maker Music Education?! Towards a sustainable and empowering use of music technology in the classroom |
WS-5A Location: Organ Room Chair: Emma Nenadic Workshop: 10.15-11.00 (45 minutes)
Te Rakau - a Maori music tradition used in Primary music lessons to enhance general coordination, rhythmic skills, cooperation, creativity and inclusion |
11:45am - 12:15pm |
Morning Break Location: Main Foyer |
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12:15pm - 1:15pm |
Poster Session 1 Location: Back Foyer Chair: Rachel Duffy dialoguing@rts: Advancing Cultural Literacy for Social Inclusion through Dialogical Arts Education Learning music with Playtronica – a new generation of digital and music related technologies to enable creative music-making PopTheory-Lab: Fostering Interest in Popular Music Theories in School. First Insights Into a DBR Study on Developing and Analysing a Teaching-/Learning Concept for Secondary Music Education Virtual and Augmented Reality in the classroom: The Project LEVIKO-XR Preparing Music Teachers for Future-Digital-Music-Making. Exploring Digital Music Practices in Continuous Teacher Education The Songwriting Camp: How Peer Feedback can be transformative for the Songwriting Process Music education in pediatric ward: Music educators’ pedagogical interaction in pediatric hospital. |
PP-6A Location: EQ-110 Chair: Kristi Kiilu Ethical Aspects in Folk Songs and Their Reflection in Musical Creation and Pedagogy From the Past to Present: A close look at Music Curriculum reforms in Mainland China |
PP-6B Location: EQ-111 Chair: Bert Gerard Appermont From Archive to the Stage: How has the musical fairy tale The Sleepless Forest Night revived? Evolution of Musical Narratives: The Transformational Journey from School Concerts to Immersive Music Showcases |
PP-6C Location: EQ-116 Chair: Katherine Nichole Breeden Opportunity to Transform Teacher’s Professional Development through the Model of Integrated Teaching and Learning of Creative Subjects Towards Transformation: Supporting Professional Development in the School Choral Sector through the Erasmus+ Project, PRESTO |
PRiME-Open Session Location: EQ-002 |
Symposium 6A Location: EQ-211 Transforming the Learning Outcomes for (generalist and specialist) Music Teacher Education Presentations of the Symposium See general contribution details. See general contribution details. See general contribution details. |
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1:15pm - 2:15pm |
Lunch break Location: Lower House Restaurant |
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2:15pm - 3:45pm |
ImprovME-Open Session Location: EQ-110 |
PP-7A Location: EQ-112 Chair: Ailbhe Kenny Gender diversity in collaborative learning contexts in the music program in Norwegian upper secondary schools Agency and belonging in the music classroom: Experiences of refugee and asylum seeking children Remembrance of the holocaust in music lessons: How can we foster a transformation of experiencing history? |
PP-7B Location: EQ-111 Chair: Ruth Frischknecht The tradition of practice in Switzerland as an obstacle to the transformation towards scientific ‘Fachdidaktik Musik’? Learning lessons from learning lessons "The self is carried into the landscape" Field theory and the construct of the musical self-concept |
PP-7C Location: EQ-116 Chair: Finn Schumacker Music Teacher Education for the Future: Reflections on Change Developing a ‘learning partnership’ in the teaching practicum. Three viewpoints from the field Lonely, but not the only one: the music teacher profile as an essential aspect for music education in primary school |
PP-7D Location: EQ-208 Chair: Marta Siermantowska “Musikschule Plus” - A transformation of the music school curriculum. A mixed methods study, evaluating the pilot program “Musikschule Plus” at Austrian music schools From Tradition to Transformation: Reimagining Music Education in Secondary Schools through Collaborative Curriculum Revision Curriculum and Pedagogy in Transformation for Irish Primary and Special Schools |
Symposium 7A Location: EQ-002 Beyond the talking shop: Social justice and music enrichment Presentations of the Symposium Traditions in transformation: What does this mean for social justice in music education? Community engagement and cohesion at the heart of transforming music enrichment Quality frameworks, participation and evidence of social justice in Ireland’s flagship music education programmes |
DigiTiME Symposium Location: EQ-211 Artificial Intelligence in Music Education Presentations of the Symposium Musical prompting Ideas, Challenges and Initial Experiences of Using AI Tools In Music Lessons The End of Creativity? Automated Music Creation Through AI Applications AI in Music Education - in the Perspective of Different Pedagogical Models Discussion with the participants |
WS-7A Location: Organ Room Chair: Daragh Black Hynes Joyous music-making in the diverse and inclusive music classroom. |
3:45pm - 4:15pm |
Coffee Break Location: Main Foyer |
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4:15pm - 5:45pm |
IncLusME-Open Session Location: EQ-002 |
PP-8A Location: EQ-111 Chair: Andreas Volker Lehmann-Wermser Challenging the Music Classroom with Songwriting: Post-Digital Approaches to Music Learning in Schools Teaching the process of composing in English Primary Schools - a research project |
PP-8B Location: EQ-110 Chair: Sabine Mommartz Rethinking Music Education in the Postdigital Classroom - Strategies and Setups for Facilitating Hybrid Music-Making in Secondary Schools Peer Group Bands – promoting student participation and agency in a seminar project |
PP-8C Location: EQ-112 Chair: Maria Varvarigou Wellbeing, Mental Health, and Music Teacher Education: Considering Transformational Possibilities Challenge Wellbeing: Pathways to Satisfied Music Students and Classroom Music Teachers Transforming Traditional Methods and Approaches to Musicians' Health with Yoga for Musicians |
Symposium 8A Location: EQ-211 Symposium of EAS National Coordinators: A European reflection on the formation of the European Day for Music in Schools (EuDaMuS) and its impact on music education Presentations of the Symposium Symposium of EAS National Coordinators: A European reflection on the formation of the European Day for Music in School (EuDaMus) and its impact on music education |
WS-8A Location: EQ-116 Chair: Wilfried Aigner Transformations into Digital and Back Again: Opportunities of Digital Music Learning with the cult.spot App |
WS-8B Location: Organ Room Chair: Daragh Black Hynes |
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6:00pm - 7:00pm |
EAS General Assembly Location: Concert Hall |
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8:00pm - 11:30pm |
Conference Dinner Location: Harcourt Hotel, Harcourt Street, Dublin 2 |
Date: Saturday, 15/June/2024 | |||||||
8:40am - 8:55am |
Morning Warm-up 3 Location: Recital Room Dr Motje Wolf (Montfort University) |
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9:00am - 10:00am |
Keynote Lecture 3: Professor Anna Houmann Location: Concert Hall Chair: Marina Gall Title: Transforming Music Education: Empowering Students through Pedagogies of the Possible. |
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10:00am - 10:15am |
Break |
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10:15am - 11:45am |
Poster Session 2 Location: Back Foyer Chair: Thomas De Baets Bridging Virtual Reality Gaming and Music Education: Kinaesthetic Experiences and Rhythmic Skills with the Beat Saber App Isolated places and disconnected youth – a project for potentials of music education for resocialisation of taken into custody young people in juvenile detention centers in Germany Continuing music teacher education in a culture of digitization. A systematic review within the German-wide project lernen:digital. New approaches to the teaching of music literacy: exploring the impact of new resources on the development of generalist teacher confidence and self-efficacy in Irish primary schools. Exploring different cultures through traditional native vocal song teaching |
PP-9A Location: EQ-110 Chair: Róisín Blunnie Inspiring the Next Generation: Critical Reflection in Preservice Music Teacher Education Music Teacher Education in Transition: An Empirically Based Model of Professional Competence Reframing Music Education in the Post-Performative Age – Tensions Between Live and 'Non-Live' Practices |
PP-9B Location: EQ-111 Beliefs of music specialist teachers regarding continuous professional development in Hungary Developing music in the primary classroom through Lesson Study with teachers and musicians Who Helps Who? Mutual Support Programme for New Secondary Music Teachers |
PP-9C Location: EQ-112 Chair: Gary John Spruce Musical Ocean - how to promote social and emotional learning through inclusive concert Places for Change: Increasing Primary School Pupils’ Social Agency by Diversifying Instrumental Music Teaching Transforming musical learning, outcomes and aspirations for young people with special educational needs and disabilities through targeted music enrichment |
Roundtable: EAS Conference Award (Sponsorship) Location: EQ-116 Chair: Sezen Ozeke Chair: Marina Gall A new EAS initative will be presented to the members and discussed in the session. |
Symposium 9A Location: EQ-211 Music as human tradition and transformative power for future teachers Presentations of the Symposium Musical qualities for teaching identities: a pedagogical tool The teachers’ body in music creation tasks: perceptions of preservice music teachers Service-learning as a Transformative Approach to Primary Music Teacher Education Student agency: views for music studies at the Finnish teacher education |
WS-9A Location: EQ-208 Chair: Motje Wolf Music Teaching in Transformation – How AI Changes Preparation Conduction and Evaluation of Music Lessons? |
11:45am - 12:00pm |
Coffee Break 5 Location: Main Foyer |
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12:00pm - 1:00pm |
Book Presentation Location: EQ-112 EPoME Book Presentation |
PP-10A Location: EQ-111 Chair: Julie Maisel Traditions in Transformation - founding a Children's choir in an English Cathedral Transformation through Tradition? Towards a decolonised and inclusive model of choral education |
PP-10B Location: EQ-116 The fascination of the orchestra. “Musikvermittlung” in teacher training (primary school) Singing for Wellbeing: Building a sustainable programme for inclusive music in Scottish primary schools |
PP-10C |
WS-10A |
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1:15pm - 2:00pm |
Closing Ceremony Location: Concert Hall |
Contact and Legal Notice · Contact Address: Privacy Statement · Conference: EAS 2024 |
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