ID: 888
/ Celebrities & Platforms: 1
Paper Proposal
Onsite - English
Topics: Method - Discourse Analysis, Topic - Cultures/Communities/Fandoms/Scenes/Subcultures, Topic - Gender/Sexuality/Feminism/Queer TheoryKeywords: Celebrities, Social media, Everyday life, Authenticity, Images
FIGURATIONS OF CELEBRITY EVERYDAY LIFE: REPRESENTATION, AUTHENTICITY, AND PROXIMITY ON SOCIAL MEDIA
Denise Prado
Federal University of Ouro Preto, Brazil
This study examines the construction of celebrity everyday life on social media, focusing on how artists strategically intertwine their cultural productions with personal narratives to cultivate perceived intimacy and authenticity. Drawing upon the theoretical frameworks of face management and the everyday, this research analyzes the Instagram profile of Liniker, a prominent Black transgender artist in Brazil.
Liniker’s profile serves as a platform for showcasing both her artistic endeavors and her daily life, challenging traditional representations of transgender women. Employing a dual analytical approach, combining panoramic observation and detailed visual analysis, the study explores how Liniker’s posts, categorized into promotional and everyday life themes, contribute to a complex performative construction of self. The analysis reveals that behind-the-scenes content emphasizes collaborative efforts and affective bonds, while musical partnerships highlight her integration into a prestigious cultural field. Individual images, including selfies and posed photographs, project intimacy towards her followers.
By juxtaposing artistic achievements with quotidian experiences, Liniker broadens visual representations, challenging prevailing narratives that often depict transgender women in contexts of violence. Her portrayal of success, love, and happiness diversifies life potentials and contributes to the discourse on transgender rights. This platform facilitates the articulation of aspirational life possibilities, interweaving professional success, personal relationships, and the visible affirmation of transgender identity, thereby contributing to the study of celebrity culture, digital media, gender, and everyday life.
ID: 780
/ Celebrities & Platforms: 2
Paper Proposal
Onsite - English
Topics: Method - Content/Textual/Visual Analysis, Method - Discourse Analysis, Topic - Creator Cultures and Economies, Topic - Gender/Sexuality/Feminism/Queer TheoryKeywords: microcelebrity, transgender, LGBTQ, YouTube, audience
The co-creation of trans microcelebrity: a case study of Nikkie de Jager
Ellie Homant
Cornell University, United States of America
In January 2020, beauty vlogger Nikkie de Jager (better known by her username NikkieTutorials) publicly came out as a trans woman, after more than a decade-long career on YouTube during which she passed as a cisgender, heterosexual woman, and under duress of a blackmailer who threatened to leak her “secret” identity. Far from ending her career, de Jager’s disclosure propelled her to greater success in the cutthroat creator economy, increasing her celebrity status. In this article, I argue that de Jager leveraged her coming-out to bolster her performance of authenticity as a microcelebrity, reaffirming and deepening her intimacy with her audience. This dialogic intimacy is central to the performance of microcelebrity. While previous studies have theorized the strategies that creators use to perform microcelebrity, little attention has been paid to the role of the audience in microcelebrity. I argue that microcelebrity is a strategy of performance that is co-constructed with the audience, making it distinct from parasocial relationships.
ID: 424
/ Celebrities & Platforms: 3
Paper Proposal
Onsite - English
Topics: Method - Ethnography/Autoethnography, Topic - Cultures/Communities/Fandoms/Scenes/Subcultures, Topic - Pop Culture / Creative and Cultural IndustriesKeywords: authenticity, attention, cross-platform, self-presentation, social media
RECLAIMING AUTHENTICITY WITHIN THE ATTENTION ECONOMY
Katrin Tiidenberg1, David Kneas2
1BFM, Tallinn University, Estonia; 2University of South Carolina, USA
The interplay between authenticity and attention is central to social media sociality, yet navigating this tension is complex. Previous research has explored how influencers and content creators perform authenticity, but our study focuses on everyday users, analyzing their experiences and strategies through a meta-analysis of ethnographic and interview data spanning 13 years. Our findings highlight three key dynamics. First, users experience an inherent tension between authenticity and attention, shaped by platform norms and community expectations. Even those who do not seek to capitalize on their popularity feel pressured to leverage the attention they generate, and negative perceptions of 'attention-seeking' seem to be broadly internalized. Second, users reaffirm authenticity through distinct registers of love, lifestyle, and greater good, strategically framing their socially mediated self-presentation to maintain a sense of authenticity while engaging with social media’s attention structures. Lastly, perceptions of platform affordances, in particular in terms of how attention is meant to circulate on platforms, shape how users navigate the tensions between attention and authenticity. Rather than a fixed ideal or a purely instrumental form of performance, social media authenticity emerges from this analysis as a flexible construct. This argument contributes to a nuanced understanding of how everyday users—not just influencers—navigate the complexities of digital self-presentation in an era where attention and authenticity remain in constant negotiation.
ID: 117
/ Celebrities & Platforms: 4
Paper Proposal
Onsite - English
Topics: Method - Critique/Criticism/Theory, Method - Discourse Analysis, Topic - Audiovisual, Streaming and New Media, Topic - Race/Ethnicity/Critical Race TheoryKeywords: Racism, Critical discourse analysis, Digital counterspaces, Stereotypes, Reality show
MASKED RACISM IN THE REALITY SHOW BIG BROTHER BRASIL: A CRITICAL DISCOURSE ANALYSIS
Thayane Henriques
Northwestern University, United States of America
Brazil’s racial dynamics are often obscured by myths of racial democracy and harmony, allowing subtle forms of racism to persist through stereotypes and microaggressions that frequently go unchallenged. This study explores masked racism within the Brazilian context by examining the reality show Big Brother Brasil (BBB) as a space where racial bias is both reinforced and contested. Through critical discourse analysis, I analyze how everyday racism manifests in Brazil’s cultural landscape, focusing on two Instagram posts from BBB’s 24th season addressing how Wanessa, a famous white singer, perpetuates stereotypes of Black aggression toward Davi, a Black contestant, and how audiences interpret and respond to these portrayals in the posts’ comment sections. Findings indicate that Wanessa’s discourse subtly perpetuates racism through linguistic choices that align with historical tropes of Blackness as animalistic and aggressive. However, Instagram users actively resisted this narrative, using humor and irony to highlight Wanessa’s inconsistencies and hypocrisy while also criticizing the show’s role in maintaining racial hierarchies. Comments further expressed solidarity and empathy toward Davi. This research underscores how pervasive and dangerous masked racism is in Brazil, highlighting the possible role of digital spaces in disrupting systemic racism and fostering counter-discourses.
ID: 742
/ Celebrities & Platforms: 5
Paper Proposal
Onsite - English
Topics: Method - Content/Textual/Visual Analysis, Method - Ethnography/Autoethnography, Topic - Creator Cultures and Economies, Topic - Cultures/Communities/Fandoms/Scenes/SubculturesKeywords: Fringe platforms; Anti-mainstream personalities; Alternative influencer; Italian Telegramsphere; Monetization; Mixed-methods
DESPICABLE THEREFORE DEMONETIZED: HOW ANTI-MAINSTREAM ICONS SOLICIT SUPPORT
Elisabetta Zurovac, Giovanni Boccia Artieri, Stefano Brilli
Università degli Studi di Urbino "Carlo Bo", Italy
This study investigates the rise of self-fashioned “anti-mainstream public figures” within Italy’s Telegramsphere, exploring their pivotal role between fringe platforms, social media platforms and legacy media. Part of a broader research project on narrative influences destabilizing Italy’s media ecosystem, the paper centers on how these personalities craft frames of persecution to establish themselves as credible outsiders defying mainstream norms. Literature has suggested how fringe platforms like Telegram - prized for privacy and security - serve as incubators where these figures cultivate tight-knit communities and amplify disinformation including conspiracy narratives and alt-right coordination. Using an ethnographic approach paired with digital methods, the study mapped 570 Telegram channels, starting from 24 blacklisted seeds expanded via Similar Channels Telegram API. Early findings highlight how these personalities reframe mainstream condemnation and demonetization as badges of authenticity, wielding populist anti-elitist rhetoric to bolster their legitimacy. They transform monetization efforts – donations, premium content – into acts of resistance, fostering solidarity in emotional echo chambers (Eslen-Ziya, 2019). Far from being sidelined, these figures leverage their outsider status to maintain significant visibility, influencing discourse beyond fringe spaces. By focusing on their strategic self-presentation, this research illuminates the interplay of morality, visibility, and monetization in digital public spheres, revealing how these personalities blur the lines between fringe and mainstream while reshaping Italy’s media dynamics.
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